Lucy Munro's guest appearances

Lucy Munro

That Shakespeare Life

Speaking of Shakespeare

Robert Greene

Christopher Marlowe

Catherine de Medici

Chris Johnston

Matt Lodder

Richard III

Elizabeth I

Peter Wilson

Scott Farrell

Jonathan Willis

John Taylor

Laurie Johnson

John Fletcher

Matthew Johnson

William Adams

OwlTail

Podcast at https://speakingofshakespeare.buzzsprout.com. Thomas Dabbs talks with Lucy Munro, King’s College, London, mainly about her recent book entitled ‘Shakespeare in the Theatre: The King’s Men’. Also Lucy gives her perspectives on London playhouses during Shakespeare’s time and beyond, with a particular focus on Blackfriars. This talk also covers elements of lost culture in Shakespeare’s time and the initiative to produce a lost play based on historical records entitled ‘Keep the Widow Waking’. There is also commentary on Lucy’s work in theatre architecture with regards to current-day reproductions of old theatres. 

Podcast at <a href="https://speakingofshakespeare.buzzsprout.com" rel="nofollow" target="_blank">https://speakingofshakespeare.buzzsprout.com</a>. Thomas Dabbs talks with Lucy Munro, King’s College, London, mainly about her recent book entitled ‘Shakespeare in the Theatre: The King’s Men’. Also Lucy gives her perspectives on London playhouses during Shakespeare’s time and beyond, with a particular focus on Blackfriars. This talk also covers elements of lost culture in Shakespeare’s time and the initiative to produce a lost play based on historical records entitled ‘Keep the Widow Waking’. There is also commentary on Lucy’s work in theatre architecture with regards to current-day reproductions of old theatres.

Lucy Munro: Shakespeare and the King's Men

In 1603, as King James VI of Scotland became King James I of England following the death of Elizabeth I, one of the people James’ tapped to walk in his coronation parade was William Shakespeare, along with the entire Lord Chamberlain’s Men company who received the official patronage of James I to become the King’s Men. The new title and status brought big changes to the performance of plays, the subject matter selected for play writing, and gave William Shakespeare the position in society he had long sought after. Our guest this week, Lucy Munro, is here to share her research into the King’s Men and what the shift from Elizabethan into Jacobean England brought about for Shakespeare. Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

In 1603, as King James VI of Scotland became King James I of England following the death of Elizabeth I, one of the people James’ tapped to walk in his coronation parade was William Shakespeare, along with the entire Lord Chamberlain’s Men company who received the official patronage of James I to become the King’s Men. The new title and status brought big changes to the performance of plays, the subject matter selected for play writing, and gave William Shakespeare the position in society he had long sought after. Our guest this week, Lucy Munro, is here to share her research into the King’s Men and what the shift from Elizabethan into Jacobean England brought about for Shakespeare. <a href="https://open.acast.com/public/patreon/fanSubscribe/980723" rel="noopener noreferrer nofollow" target="_blank">Get bonus episodes on Patreon</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Ep 175: The King's Men with Lucy Munro

When William Shakespeare first arrived in London sometime in the 1580s, James Burbage was already making waves in the early modern performance industry by establishing The Theater, a playhouse which the Burbages owned. After a fight with the owner of the land on which The Theater was built, the building itself would be dismantled by the Burbages and William Shakespeare who helped the Burbages clandestinely move the building timber by timber across the Thames to create the theater known as The Globe. Today, we refer to The Globe, as well as the first indoor playhouse, the Blackfriars, as Shakespeare’s theaters. Of course, the bard was intimately involved and arguably held a position of leadership in these establishments but defining terms from his lifetime like shareholder, leaseholder, and housekeeper, all help us take a closer look at who exactly owned the theater and how that was different from being an owner in a playing company. Our guest this week, Lucy Munro, is the author of the article for King’s College London, titled “Who Owned the Blackfriars Playhouse” and she is here with us today to share the mechanics behind theater and playing company ownership in the 16-17th century, as well as to answer the question of whether Shakespeare really did own the theaters we give him credit for today. Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

When William Shakespeare first arrived in London sometime in the 1580s, James Burbage was already making waves in the early modern performance industry by establishing The Theater, a playhouse which the Burbages owned. After a fight with the owner of the land on which The Theater was built, the building itself would be dismantled by the Burbages and William Shakespeare who helped the Burbages clandestinely move the building timber by timber across the Thames to create the theater known as The Globe. Today, we refer to The Globe, as well as the first indoor playhouse, the Blackfriars, as Shakespeare’s theaters. Of course, the bard was intimately involved and arguably held a position of leadership in these establishments but defining terms from his lifetime like shareholder, leaseholder, and housekeeper, all help us take a closer look at who exactly owned the theater and how that was different from being an owner in a playing company. Our guest this week, Lucy Munro, is the author of the article for King’s College London, titled “Who Owned the Blackfriars Playhouse” and she is here with us today to share the mechanics behind theater and playing company ownership in the 16-17th century, as well as to answer the question of whether Shakespeare really did own the theaters we give him credit for today. <a href="https://open.acast.com/public/patreon/fanSubscribe/980723" rel="noopener noreferrer nofollow" target="_blank">Get bonus episodes on Patreon</a> Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.