Mark Steinberg's guest appearances

Mark Steinberg

The Real Deal

New Books in History

New Books in Russian and Eurasian Studies

New Books Network

Champaign On Ice: Illinois basketball with Deon Thomas

Sarah J. Young

Khatchig Mouradian

Richard Sakwa

Archie Brown

Andrew Sloin

Yuri Slezkine

Matthew Pauly

Wendy Z. Goldman

David A. Harrisville

Oksana Kis

Steven Seegel

Artemy M. Kalinovsky

Christopher Coker

Simon Morrison

James Joyce

OwlTail

Maggie Ye

Tana Torrano

Tana Torrano/ Dudley Byerley/ Mark Steinberg/ Maggie Ye/ Windy West/The Ambassador

Public discourse in the final decade of Imperial Russia was dominated by images of darkness and dread. Discussions of “these times” and “times of trouble” captured the sense that Russians were living on the “edge of abyss” from which there was “no exit.” It was this sense of imminent doom, or simply the stasis of despair, argues Mark Steinberg in his book St. Petersburg: Fin de Siecle (Yale UP, 2011), that defined the social and cultural experience of the denizens of Russia’s “Window to the West.” And the apocalyptic visions not so much foreshadowed 1917, as they unmasked modernity’s promise of progress as an illusion.Much of St. Petersburg: Fin de Siecle is about experience: the everyday and the emotional; the sensual and the physical. After all, the prosaic experience of modernity was not of a society ruled by the geometry of order, but assaulted by the incongruity of chaos. As Steinberg shows the clanking of street cars, the bustle of the crowd, the shadows of the alley, and the unfamiliarity of the stranger make modernity an experience wrought with anxiety, trepidation, and even trauma. St. Petersburg may be Russia’s city of light with its wide thoroughfares, colorful architecture, and white nights, but these illuminations cast dark shadows. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Public discourse in the final decade of Imperial Russia was dominated by images of darkness and dread. Discussions of “these times” and “times of trouble” captured the sense that Russians were living on the “edge of abyss” from which there was “no exit.” It was this sense of imminent doom, or simply the stasis of despair, argues <a href="http://www.history.illinois.edu/people/steinb" rel="nofollow" target="_blank">Mark Steinberg</a> in his book <a href="http://www.amazon.com/dp/0300165048/?tag=newbooinhis-20" rel="nofollow" target="_blank">St. Petersburg: Fin de Siecle </a>(Yale UP, 2011), that defined the social and cultural experience of the denizens of Russia’s “Window to the West.” And the apocalyptic visions not so much foreshadowed 1917, as they unmasked modernity’s promise of progress as an illusion. Much of St. Petersburg: Fin de Siecle is about experience: the everyday and the emotional; the sensual and the physical. After all, the prosaic experience of modernity was not of a society ruled by the geometry of order, but assaulted by the incongruity of chaos. As Steinberg shows the clanking of street cars, the bustle of the crowd, the shadows of the alley, and the unfamiliarity of the stranger make modernity an experience wrought with anxiety, trepidation, and even trauma. St. Petersburg may be Russia’s city of light with its wide thoroughfares, colorful architecture, and white nights, but these illuminations cast dark shadows. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/history" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/history</a>

Mark Steinberg, “St. Petersburg: Fin de Siecle” (Yale UP, 2011)

Public discourse in the final decade of Imperial Russia was dominated by images of darkness and dread. Discussions of “these times” and “times of trouble” captured the sense that Russians were living on the “edge of abyss” from which there was “no exit.” It was this sense of imminent doom,... Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Public discourse in the final decade of Imperial Russia was dominated by images of darkness and dread. Discussions of “these times” and “times of trouble” captured the sense that Russians were living on the “edge of abyss” from which there was “no exit.” It was this sense of imminent doom,... Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/russian-studies" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/russian-studies</a>