Manfred Kirchheimer's guest appearances

Manfred Kirchheimer

Filmwax Radio

No Big Deal

Manhattan Transfer

Kamala Harris

Hal Hartley

Paul Williams

Robert Greene

Tom Noonan

Chris Smith

Richard E. Grant

Lynn Shelton

Adrian Martinez

Giancarlo Esposito

Andy Karl

Jim Gaffigan

Dan Mirvish

Andre Hyland

Kenneth Branagh

OwlTail

[5 mins. 50 secs.] Street photography is the theme of this episode. First up, photographer (David) Godlis makes his first appearance on the show to discuss his technique and career. He has a new photo essay book now available called “Godlis Streets” (Reel Art Press) now available for purchase from Rizzoli Bookstore. They are hosting a virtual event on Thursday, November 19th at 5:00PM Eastern Time. Register with this link. This segment is also available as a Zoom recorded video on Filmwax Radio’s YouTube channel. [1 hr. 5 mins. 30 secs.]Also, the street photographer filmmaker Manny Kirchheimer returns to the podcast (he was last on Episode 331 back in June of 2016. Manny has a new work of non-fiction currently screening on Film Forum’s virtual cinema called “Free Time”. Kirchheimer’s “Free Time” is a new film based on lustrous B&amp;W footage he and Walter Hess shot throughout the city from 1958-1960. New York’s stately architectural beauty contrasts with rough and raw scenes of kids playing stickball, window washers balancing precariously, and stoop-sitters reading the paper or daydreaming. The ways in which life in Washington Heights differs from Hell’s Kitchen, the Upper West Side, or the Financial District are captured with a sensitive, loving eye and an ear for the musical rhythms of city life. This segment is also available as a Zoom recorded video on Filmwax Radio’s YouTube channel. Follow us on Facebook, Twitter &amp; Instagram. The podcast is also available on iTunes, Stitcher, Spotify, Google Play &amp; Youtube.

[5 mins. 50 secs.] Street photography is the theme of this episode. First up, photographer <a href="http://www.godlis.com" rel="noopener noreferrer nofollow" target="_blank">(David) Godlis</a> makes his first appearance on the show to discuss his technique and career. He has a new photo essay book now available called “Godlis Streets” (<a href="https://www.reelartpress.com/catalog/edition/154/godlis-streets" rel="noopener noreferrer nofollow" target="_blank">Reel Art Press</a>) now available for purchase from <a href="https://www.rizzolibookstore.com/godlis-streets" rel="noopener noreferrer nofollow" target="_blank">Rizzoli Bookstore</a>. They are hosting a virtual event on Thursday, November 19th at 5:00PM Eastern Time. Register with <a href="https://www.rizzolibookstore.com/news/david-godlis-presents-godlis-streets-virtual-book-event" rel="noopener noreferrer nofollow" target="_blank">this link</a>. This segment is also available as a Zoom recorded video on Filmwax Radio’s <a href="https://youtu.be/Uy39F8HWhCM" rel="noopener noreferrer nofollow" target="_blank">YouTube channel</a>. [1 hr. 5 mins. 30 secs.]Also, the street photographer filmmaker Manny Kirchheimer returns to the podcast (he was last on <a href="http://www.filmwaxradio.com/podcasts/episode-331/" rel="nofollow" target="_blank">Episode 331</a> back in June of 2016. Manny has a new work of non-fiction currently screening on <a href="https://filmforum.org/film/free-time" rel="noopener noreferrer nofollow" target="_blank">Film Forum’s virtual cinema</a> called “Free Time”. Kirchheimer’s “Free Time” is a new film based on lustrous B&amp;W footage he and Walter Hess shot throughout the city from 1958-1960. New York’s stately architectural beauty contrasts with rough and raw scenes of kids playing stickball, window washers balancing precariously, and stoop-sitters reading the paper or daydreaming. The ways in which life in Washington Heights differs from Hell’s Kitchen, the Upper West Side, or the Financial District are captured with a sensitive, loving eye and an ear for the musical rhythms of city life. This segment is also available as a Zoom recorded video on Filmwax Radio’s <a href="https://youtu.be/C5uH3GXh6yM" rel="noopener noreferrer nofollow" target="_blank">YouTube channel</a>. Follow us on <a href="http://www.facebook.com/filmwaxradio" rel="noopener noreferrer nofollow" target="_blank">Facebook</a>, <a href="https://twitter.com/filmwaxradio" rel="noopener noreferrer nofollow" target="_blank">Twitter</a> &amp; <a href="https://www.instagram.com/filmwaxradio" rel="noopener noreferrer nofollow" target="_blank">Instagram</a>. The podcast is also available on <a href="https://itunes.apple.com/us/podcast/filmwax-radio" rel="noopener noreferrer nofollow" target="_blank">iTunes</a>, <a href="http://www.stitcher.com/podcast/adam-schartoff/filmwax-radio" rel="noopener noreferrer nofollow" target="_blank">Stitcher</a>, Spotify, <a href="https://play.google.com/music/listen#/ps/Izz6sxdcmpj2n6zzasnmyzfalmm”" rel="noopener noreferrer nofollow" target="_blank">Google Play</a> &amp; <a href="https://www.youtube.com/channel/UCHJk6Z9Ep8zdqvRuz0lM8lQ" rel="noopener noreferrer nofollow" target="_blank">Youtube</a>.

Ep 643: Godlis • Manfred Kirchheimer

In this episode of No Big Deal, Manfred Kirchheimer tells us how his family arrived in the US, fleeing Nazi Germany, how he discovered film, and he gives us his thoughts on film and art. http://www.nobigdealpodcast.com

In this episode of No Big Deal, Manfred Kirchheimer tells us how his family arrived in the US, fleeing Nazi Germany, how he discovered film, and he gives us his thoughts on film and art. <a href="http://www.nobigdealpodcast.com" rel="nofollow" target="_blank">http://www.nobigdealpodcast.com</a>

Fleeing Germany and discovering film with Manfred Kirchheimer

TwoOneTwo über New York, Emigration und die Bildsprache von kunstvollen DokumentarfilmenUnser Interviewpartner Manfred Kirchheimer musste in den dreißiger Jahren mit seiner Familie das Saarland verlassen und fand zusammen mit Zehntausenden anderer deutscher Juden in Washington Heights an der Nordwest-Spitze von Manhattan eine zweite Heimat. Ausgangspunkt für seinen Film „We were so Beloved“ – gedreht aus der Perspektive des politisch sensiblen Wegbegleiters der Überlebenden des Holocaust. Kirchheimer hat mit seinem ureigenen Blick auf das Leben in der Stadt eine Fülle von reizvollen Arbeiten geschaffen, die sein kreatives und politisches Temperament abbilden. Mit seinem Gesamtwerk hat er als Dokumentarfilmer einen bedeutenden Beitrag zur Entwicklung eines ganzen Genres geleistet. Mehr Informationen: https://en.wikipedia.org/wiki/Manfred_Kirchheimer https://www.nytimes.com/1986/08/27/movies/the-screen-we-were-so-beloved.html

TwoOneTwo über New York, Emigration und die Bildsprache von kunstvollen Dokumentarfilmen Unser Interviewpartner Manfred Kirchheimer musste in den dreißiger Jahren mit seiner Familie das Saarland verlassen und fand zusammen mit Zehntausenden anderer deutscher Juden in Washington Heights an der Nordwest-Spitze von Manhattan eine zweite Heimat. Ausgangspunkt für seinen Film „We were so Beloved“ – gedreht aus der Perspektive des politisch sensiblen Wegbegleiters der Überlebenden des Holocaust. Kirchheimer hat mit seinem ureigenen Blick auf das Leben in der Stadt eine Fülle von reizvollen Arbeiten geschaffen, die sein kreatives und politisches Temperament abbilden. Mit seinem Gesamtwerk hat er als Dokumentarfilmer einen bedeutenden Beitrag zur Entwicklung eines ganzen Genres geleistet. Mehr Informationen: <a href="https://en.wikipedia.org/wiki/Manfred_Kirchheimer" rel="nofollow" target="_blank">https://en.wikipedia.org/wiki/Manfred_Kirchheimer</a> <a href="https://www.nytimes.com/1986/08/27/movies/the-screen-we-were-so-beloved.html" rel="nofollow" target="_blank">https://www.nytimes.com/1986/08/27/movies/the-screen-we-were-so-beloved.html</a>

212 Podcast #2: Filmemacher Manfred Kirchheimer