Natasha Oladokun's guest appearances

Natasha Oladokun

The Image Podcast

Mile High Theology

Poem-a-Day

Lanecia Rouse Tinsley

Shane McCrae

Tracy K. Smith

Julien Baker

Jericho Brown

Jake Skeets

Jacqueline Woodson

Paul Willis

Gregory Pardlo

Gerard Manley Hopkins

Paul Laurence Dunbar

Jenny Johnson

Naomi Shihab Nye

Dorothy Parker

Malcolm Guite

OwlTail

"They say, Lord, piety is speaking to you, // but madness is hearing you // speak back." And so Natasha Oladokun stings her audience in her 2020 poem "Black Credit." In line after line, essay after essay, and poem after poem, Oladokun teases out of us what good literature usually teases out of us: An unmistakable smallness before the vast expanse that is our fragile and beautiful cosmos. In this special National Poetry Month episode, Natasha and Canon Broderick will discuss Audre Lorde's 1985 essay "Poetry Is Not a Luxury" and Lorde's assertion that poetry is "a vital necessity of our existence."Show notes:Audre Lorde's "Poetry Is Not a Luxury"Natasha Oladokun's "Black Credit"Follow Natasha on Twitter and Instagram to say up-to-date with her work.If you enjoy Mile High Theology and want this programming to continue, support Saint John's Cathedral by giving at sjcathedral.org/give.This podcast was recorded on the land of Ute, Cheyenne, and Araphao peoples.

"They say, Lord, piety is speaking to you, // but madness is hearing you // speak back." And so Natasha Oladokun stings her audience in her 2020 poem "Black Credit." In line after line, essay after essay, and poem after poem, Oladokun teases out of us what good literature usually teases out of us: An unmistakable smallness before the vast expanse that is our fragile and beautiful cosmos. In this special National Poetry Month episode, Natasha and Canon Broderick will discuss Audre Lorde's 1985 essay "Poetry Is Not a Luxury" and Lorde's assertion that poetry is "a vital necessity of our existence." Show notes: Audre Lorde's <a href="https://makinglearning.files.wordpress.com/2014/01/poetry-is-not-a-luxury-audre-lorde.pdf?fbclid=IwAR1scS2Fpwc8lfZeGbfk0KFkkPBcCsBTHrosNwRDB3p-cGnMuSc3iRz7KN4" rel="nofollow" target="_blank">"Poetry Is Not a Luxury"</a> Natasha Oladokun's <a href="https://poets.org/poem/black-credit?fbclid=IwAR0-E3pXugaLN0XegbtFqjuH78wo0gvbMUXKH8r73-f4u7nl5QmPwFmbcxc" rel="nofollow" target="_blank">"Black Credit"</a> Follow Natasha on <a href="https://twitter.com/NatashaOladokun..." rel="nofollow" target="_blank">Twitter</a> and <a href="https://www.instagram.com/natashawritesthings/" rel="nofollow" target="_blank">Instagram</a> to say up-to-date with her work. If you enjoy Mile High Theology and want this programming to continue, support Saint John's Cathedral by giving at <a href="http://sjcathedral.org/give" rel="nofollow" target="_blank">sjcathedral.org/give</a>. This podcast was recorded on the land of <a href="https://native-land.ca/" rel="nofollow" target="_blank">Ute, Cheyenne, and Araphao peoples</a>.

S4 E8: National Poetry Month with Natasha Oladokun

Recorded by Natasha Oladokun for Poem-a-Day, a series produced by the Academy of American Poets. Published on August 20, 2020. www.poets.org

Recorded by Natasha Oladokun for Poem-a-Day, a series produced by the Academy of American Poets. Published on August 20, 2020. <a href="https://gate.sc/?url=http%3A%2F%2Fwww.poets.org&amp;token=9d5a84-1-1583345147049" rel="nofollow" target="_blank">www.poets.org</a>

Natasha Oladokun: "Black Credit"

Tara Isabella Burton

Kaya Oakes

Social media has given women writers more opportunities, more power, and more authority in the public sphere and also in the church. But there’s also enormous pressure from publishers to create your brand. To establish platforms of countless followers before you even publish a book. To live up to—or to live down—your social media persona. I’ve spent the last decade of my writing life working with online communities and publications. I’ve benefitted from the opportunities available online when I was at home with young children, living in rural towns that seemed far from the publishing and art worlds. I’ve seen social media make careers, and I’ve seen it destroy them. What can be a valuable tool for amplifying voices often becomes another way to silence them.  Tara Isabella BurtonNatasha OladokunKaya OakesTara Isabella Burton is the author of the novel Social Creature and the forthcoming nonfiction book Strange Rites: New Religions for a Godless World. She writes a column on the same topic, “Religion Remixed,” for Religion News Service. Burton has written widely on religion, culture, and place, appearing in the The New York Times, National Geographic, The Washington Post,  Aeon, The BBC, and The Atlantic, among many others. She was a staff religion reporter for Vox.com. ​She received a doctorate in theology from Trinity College, Oxford, where she was a Clarendon Scholar, in 2017. “Suddenly this thing I did for fun was part of an author persona that interfered with the seriousness of the book I wanted to write.”  —Tara Isabella BurtonNatasha Oladokun is a Cave Canem fellow, poet, and essayist featured in the American Poetry Review, Harvard Review Online, Pleiades, Indie Film Minute, Bearings Online, and elsewhere. She is currently a visiting assistant professor of English at Hollins University, her MFA alma mater. “These are instruments, and like any instrument, you can play it badly or play it well.”—Natasha OladokunKaya Oakes is the author of four books, including The Nones Are Alright and Radical Reinvention. Her essays have appeared in The New Republic, Slate, Foreign Policy, The Guardian, America, Commonweal, On Being, National Catholic Reporter, Religion Dispatches, Image’s Good Letters, The Washington Post, Sojourners, and many other publications. She teaches nonfiction writing at the University of California, Berkeley, and is also an affiliated faculty member at the Jesuit School of Theology in the Graduate Theological Union, where she teaches religion writing for a broader public to lay students and seminarians.  She’s also appeared on NPR and the CBC. She’s spoken and given workshops in spiritual writing and reporting at universities, worship spaces, seminaries and community centers across the United States, and was among a group of international journalists who participated in a two-week workshop at the Vatican in 2016 to study the role of religion writing in politically turbulent times.“Women have seized social media as a tool to lift up each other’s work.”—Kaya OakesAll three of these writers have significant social media presences, and we sat down at the Glen Workshop in Santa Fe, New Mexico, to talk about how their experiences online have affected their writing and their faith.Listen to our conversation to find out how we navigate the social media landscape as part of their daily work as writers, reporters, teachers, and women of faith.Resources:The Glen Workshop 2019: “As Iron Sharpens Iron: The Promise &amp; Peril of Friendship.”Tara Burton on Twitter: @NotoriousTIBNatasha Oladokun on Twitter: @NatashaOladokunKaya Oakes on Twitter: @KayaOakesJessica Mesman on Twitter: @Jessica_MesmanSocial Creature by Tara Isabella Burton“We Are Not Middle Aged: What Medieval Women Taught Me About My 40s” by Kaya Oakes for On BeingHear Natasha Oladokun read her poems “Let My Anger Be the Celebration We Were Never Supposed to Have” and “Living on a Ghost Plantation / Love Poem” at the Kenyon Review. CreditsOriginal music composed by Sister SinjinEpisode produced by Cassidy Hall Don’t miss an episode: subscribe now on iTunes or Google Play. For exclusive content, updates, and sneak peeks at future episodes, become a Patreon supporter on Patreon.com/ImagePodcast.The post Writing and Womaning Online with Tara Isabella Burton, Kaya Oakes, and Natasha Oladokun appeared first on Image Journal.

Social media has given women writers more opportunities, more power, and more authority in the public sphere and also in the church. But there’s also enormous pressure from publishers to create your brand. To establish platforms of countless followers before you even publish a book. To live up to—or to live down—your social media persona. I’ve spent the last decade of my writing life working with online communities and publications. I’ve benefitted from the opportunities available online when I was at home with young children, living in rural towns that seemed far from the publishing and art worlds. I’ve seen social media make careers, and I’ve seen it destroy them. What can be a valuable tool for amplifying voices often becomes another way to silence them.  <ul><li>Tara Isabella Burton</li><li>Natasha Oladokun</li><li>Kaya Oakes</li></ul><a href="http://www.taraisabellaburton.com/" rel="nofollow" target="_blank">Tara Isabella Burton</a> is the author of the novel <a href="https://www.amazon.com/Social-Creature-Tara-Isabella-Burton/dp/0385543522" rel="nofollow" target="_blank">Social Creature</a> and the forthcoming nonfiction book <a href="https://www.amazon.com/dp/B07W56MQLJ/ref=sr_1_fkmr0_1?keywords=strange+rites+tara+isabella+burton&amp;qid=1565365017&amp;s=gateway&amp;sr=8-1-fkmr0" rel="noreferrer noopener nofollow" target="_blank">Strange Rites: New Religions for a Godless World</a>. She writes a column on the same topic, “<a href="https://religionnews.com/author/tara-isabella-burton/" rel="noreferrer noopener nofollow" target="_blank">Religion Remixed</a>,” for Religion News Service. Burton has written widely on religion, culture, and place, appearing in the <a href="https://www.nytimes.com/2019/08/13/opinion/sunday/religion-extremism-white-supremacy.html" rel="noreferrer noopener nofollow" target="_blank">The New York Times</a>, <a href="http://news.nationalgeographic.com/news/2014/12/141229-syriac-christians-refugees-midyat-turkey/" rel="nofollow" target="_blank">National Geographic</a>, <a href="https://www.washingtonpost.com/outlook/2019/08/01/self-centered-religion-shared-by-marianne-williamson-president-trump/" rel="noreferrer noopener nofollow" target="_blank">The Washington Post</a>,<a href="http://www.wsj.com/articles/a-trip-to-trieste-italys-most-beautifully-haunting-city-1449167192" rel="noopener noreferrer nofollow" target="_blank"> </a> <a href="https://12554263-808262250853757689.preview.editmysite.com/editor/aeon.co/essays/can-religious-submission-in-marriage-foster-a-new-divinity" rel="noreferrer noopener nofollow" target="_blank">Aeon</a>, <a href="http://www.bbc.com/news/magazine-29822594" rel="noopener noreferrer nofollow" target="_blank">The BBC,</a> and<a href="https://www.vox.com/" rel="nofollow" target="_blank"> The Atlantic</a>, among many others. She was a staff religion reporter for <a href="http://Vox.com" rel="nofollow" target="_blank">Vox.com</a>. ​She received a doctorate in theology from Trinity College, Oxford, where she was a Clarendon Scholar, in 2017.<blockquote> “Suddenly this thing I did for fun was part of an author persona that interfered with the seriousness of the book I wanted to write.” —Tara Isabella Burton</blockquote><a href="/artist/natasha-oladokun/" rel="nofollow" target="_blank">Natasha Oladokun</a> is a Cave Canem fellow, poet, and essayist featured in the American Poetry Review, Harvard Review Online, Pleiades, Indie Film Minute, Bearings Online, and elsewhere. She is currently a visiting assistant professor of English at Hollins University, her MFA alma mater.<blockquote> “These are instruments, and like any instrument, you can play it badly or play it well.”—Natasha Oladokun</blockquote><a href="http://www.oakestown.org/" rel="nofollow" target="_blank">Kaya Oakes</a> is the author of four books, including The Nones Are Alright and Radical Reinvention. Her essays have appeared in The New Republic, Slate, Foreign Policy, The Guardian, America, Commonweal, On Being, National Catholic Reporter, Religion Dispatches, Image’s Good Letters, The Washington Post, Sojourners, and many other publications. She teaches nonfiction writing at the University of California, Berkeley, and is also an affiliated faculty member at the Jesuit School of Theology in the Graduate Theological Union, where she teaches religion writing for a broader public to lay students and seminarians.  She’s also appeared on NPR and the CBC. She’s spoken and given workshops in spiritual writing and reporting at universities, worship spaces, seminaries and community centers across the United States, and was among a group of international journalists who participated in a two-week workshop at the Vatican in 2016 to study the role of religion writing in politically turbulent times.<blockquote>“Women have seized social media as a tool to lift up each other’s work.”—Kaya Oakes</blockquote>All three of these writers have significant social media presences, and we sat down at the Glen Workshop in Santa Fe, New Mexico, to talk about how their experiences online have affected their writing and their faith.Listen to our conversation to find out how we navigate the social media landscape as part of their daily work as writers, reporters, teachers, and women of faith.Resources:<ul><li><a href="/glenworkshop-2019/" rel="nofollow" target="_blank">The Glen Workshop 2019: “As Iron Sharpens Iron: The Promise &amp; Peril of Friendship.”</a></li><li>Tara Burton on Twitter: <a href="https://twitter.com/NotoriousTIB" rel="nofollow" target="_blank">@NotoriousTIB</a></li><li>Natasha Oladokun on Twitter: <a href="https://twitter.com/NatashaOladokun" rel="nofollow" target="_blank">@NatashaOladokun</a></li><li>Kaya Oakes on Twitter: <a href="https://twitter.com/kayaoakes" rel="nofollow" target="_blank">@KayaOakes</a></li><li>Jessica Mesman on Twitter: <a href="https://twitter.com/Jessica_Mesman" rel="nofollow" target="_blank">@Jessica_Mesman</a></li><li><a href="https://www.amazon.com/Social-Creature-Tara-Isabella-Burton/dp/0385543522" rel="nofollow" target="_blank">Social Creature</a> by Tara Isabella Burton</li><li><a href="https://onbeing.org/blog/kaya-oakes-we-are-not-middle-aged-what-medieval-women-taught-me-about-my-40s/" rel="nofollow" target="_blank">“We Are Not Middle Aged: What Medieval Women Taught Me About My 40s” </a>by Kaya Oakes for On Being</li><li>Hear Natasha Oladokun read her poems<a href="https://www.kenyonreview.org/kr-online-issue/2018-novdec/selections/natasha-oladokun-763879/" rel="nofollow" target="_blank"> “Let My Anger Be the Celebration We Were Never Supposed to Have” and “Living on a Ghost Plantation / Love Poem”</a> at the Kenyon Review. </li></ul>Credits<ul><li>Original music composed by <a href="https://www.sistersinjin.com/" rel="nofollow" target="_blank">Sister Sinjin</a></li><li>Episode produced by <a href="https://cassidyhall.com/" rel="nofollow" target="_blank">Cassidy Hall</a> </li></ul>Don’t miss an episode: subscribe now on <a href="https://itunes.apple.com/us/podcast/episode-2-gina-ochsner-and-the-power-of-useless-art/id1248475220?i=1000389395658&amp;mt=2" rel="nofollow" target="_blank">iTunes</a> or <a href="https://play.google.com/music/listen?pcampaignid=MKT-na-all-co-pr-mu-pod-16#/ps/Iiksupjro3pty72zsmlo3hw7gym" rel="nofollow" target="_blank">Google Play</a>. For exclusive content, updates, and sneak peeks at future episodes, become a Patreon supporter on <a href="https://www.patreon.com/ImagePodcast" rel="nofollow" target="_blank">Patreon.com/ImagePodcast.</a>The post <a href="https://imagejournal.org/2019/09/14/writing-and-womaning-online/" rel="nofollow" target="_blank">Writing and Womaning Online with Tara Isabella Burton, Kaya Oakes, and Natasha Oladokun</a> appeared first on <a href="https://imagejournal.org" rel="nofollow" target="_blank">Image Journal</a>.

Writing and Womaning Online with Tara Isabella Burton, Kaya Oakes, and Natasha Oladokun