Dannielle Bowman's guest appearances

Dannielle Bowman

Photographers of Color Podcast

PhotoWork with Sasha Wolf

FOTODOKS TALKS: A house is a house is a house

Zora J Murff

Christopher Anderson

Todd Hido

Alec Soth

Andrew Jackson

Craig Zobel

Catherine Opie

Janet Delaney

Diana Markosian

Tim Davis

Elinor Carucci

Barbara Bosworth

Mark Steinmetz

Doug DuBois

Bryan Schutmaat

OwlTail

ANNA FENIA SCHNEIDER IN CONVERSATION WITH DANNIELLE BOWMAN ABOUT HER WORK "WHAT HAD HAPPENED"  Dannielle Bowman is a visual artist working with photography. She received a BFA from The Cooper Union and an MFA from the Yale School of Art. In 2020 Dannielle Bowman was awarded the 2020 Aperture Portfolio Prize and the same year she was recipient of the PHMuseum Women Photographers Grant. Danielle Bowman has exhibited in the US and internationally. She lives and works in New York. https://danniellebowman.com/  Anna Fenia Schneider (*1979) is a curator at the Haus der Kunst in Munich since 2012. With a focus on postcolonial thought, her curatorial work pays particular attention to global historical, cultural and political contexts. She graduated with a master’s degree in Exhibition and Museum Studies as a Fulbright Scholar from the San Francisco Art Institute (2009) and holds a diploma from the Fachhochschule in Potsdam (2007). Recent work at the Haus der Kunst include: Michael Armitage: Paradise Edict (2020/21) and Theaster Gates: Black Chapel (2019/20), furthermore she co-curated several exhibitions with the late Okwui Enwezor, among them Hanne Darboven: Enlightenment (2015/16) and Frank Bowling: Mappa Mundi (2017/18). https://hausderkunst.de/ -- Music: The Garvey Train Speakers: Antonio Brunetti (english) &amp; Irina Salkow (german)

ANNA FENIA SCHNEIDER IN CONVERSATION WITH DANNIELLE BOWMAN ABOUT HER WORK "WHAT HAD HAPPENED" Dannielle Bowman is a visual artist working with photography. She received a BFA from The Cooper Union and an MFA from the Yale School of Art. In 2020 Dannielle Bowman was awarded the 2020 Aperture Portfolio Prize and the same year she was recipient of the PHMuseum Women Photographers Grant. Danielle Bowman has exhibited in the US and internationally. She lives and works in New York. <a href="https://danniellebowman.com/" rel="nofollow" target="_blank">https://danniellebowman.com/</a> Anna Fenia Schneider (*1979) is a curator at the Haus der Kunst in Munich since 2012. With a focus on postcolonial thought, her curatorial work pays particular attention to global historical, cultural and political contexts. She graduated with a master’s degree in Exhibition and Museum Studies as a Fulbright Scholar from the San Francisco Art Institute (2009) and holds a diploma from the Fachhochschule in Potsdam (2007). Recent work at the Haus der Kunst include: Michael Armitage: Paradise Edict (2020/21) and Theaster Gates: Black Chapel (2019/20), furthermore she co-curated several exhibitions with the late Okwui Enwezor, among them Hanne Darboven: Enlightenment (2015/16) and Frank Bowling: Mappa Mundi (2017/18). <a href="https://hausderkunst.de/" rel="nofollow" target="_blank">https://hausderkunst.de/</a> -- Music: The Garvey Train Speakers: Antonio Brunetti (english) &amp; Irina Salkow (german)

DANNIELLE BOWMAN X ANNA FENIA SCHNEIDER

For the eighth installment of PhotoWork with Sasha Wolf, Sasha and artist, Dannielle Bowman, talk about Dannielle’s amazing trajectory, from almost giving up on making photographs, to being invited to work on the New York Times 1619 Project. Dannielle, who was awarded the Aperture Portfolio Prize this year, speaks at length about her work, and explains why and how she looks to create real ambiguity in her pictures. Dannielle discusses how shooting for the 1619 Project has had a lasting impact on her personally and on her work. The episode ends with a brief discussion of Dannielle’s experience at Yale in the MFA program and the strong bonds she formed there with her fellow students and professors. https://danniellebowman.com Dannielle Bowman received a BFA from The Cooper Union and an MFA from the Yale School of Art, where she was awarded the 2018 Richard Benson Prize. In 2019, she was a contributor to the New York Times Magazine’s The 1619 Project, and in 2020 she was awarded the Aperture Portfolio Prize. Bowman has been an artist in residence at Baxter St at the Camera Club of New York; the Center for Photography at Woodstock, New York; and PICTURE BERLIN. Bowman has exhibited in the US and internationally. She lives and works in New York.

For the eighth installment of PhotoWork with Sasha Wolf, Sasha and artist, Dannielle Bowman, talk about Dannielle’s amazing trajectory, from almost giving up on making photographs, to being invited to work on the New York Times 1619 Project. Dannielle, who was awarded the Aperture Portfolio Prize this year, speaks at length about her work, and explains why and how she looks to create real ambiguity in her pictures. Dannielle discusses how shooting for the 1619 Project has had a lasting impact on her personally and on her work. The episode ends with a brief discussion of Dannielle’s experience at Yale in the MFA program and the strong bonds she formed there with her fellow students and professors. <a href="https://danniellebowman.com" rel="nofollow" target="_blank">https://danniellebowman.com</a> Dannielle Bowman received a BFA from The Cooper Union and an MFA from the Yale School of Art, where she was awarded the 2018 Richard Benson Prize. In 2019, she was a contributor to the New York Times Magazine’s The 1619 Project, and in 2020 she was awarded the Aperture Portfolio Prize. Bowman has been an artist in residence at Baxter St at the Camera Club of New York; the Center for Photography at Woodstock, New York; and PICTURE BERLIN. Bowman has exhibited in the US and internationally. She lives and works in New York.

Dannielle Bowman - Episode 8

Bowman’s work investigates the histories of people left out of the grand historical narratives with which we are more familiar. Previous to this project, she photographed monuments, artifacts of antiquity, and landscapes of historical significance in the U.S. In What Had Happened, Bowman returns to where she grew up (the Baldwin Hills, Inglewood, and Crenshaw neighborhoods of Los Angeles, CA), opening her own history to ask questions about the role location and landscape play in personal evolution. The images recall the events, objects, and sites that mold us in order to explore themes of displacement, family history, and notions of home. Bowman asks how we remember what has marked us in a place we once called home and how that place informs who we are in the present.Memories of place are nuanced, emotional, atmospheric, historical, and geographical; when we return to these sites they are never exactly as remembered and fail to fully complete the retelling of history. In these photographs the passing of time reveals itself in the shadows drifting over a backyard, in a carpeted staircase worn by years of feet treading its fibers, in the shifting earth cracking the sidewalk that lays over it. The double exposures and repeated imagery draw attention to the way that time alters our perception of locations. Collectively the images render parts of ourselves and the place we once called home lost to time.Dannielle Bowman received a BFA from The Cooper Union and an MFA from the Yale School of Art, where she was awarded the 2018 Richard Benson Prize. She was recently awarded the 2020 Aperture Portfolio Prize and was a contributor to the New York Times Magazine's 1619 Project. Bowman has been an artist in residence at Baxter St at the Camera Club of New York; The Center for Photography at Woodstock; and PICTURE BERLIN. https://danniellebowman.com/https://www.baxterst.org/what-had-happened/https://aperture.org/blog/2020-portfolio-prize-dannielle-bowman/https://pdnonline.com/photography-business/photo-clients/editorial-photography/behind-the-lens-picturing-slaverys-history-for-1619-project-of-new-york-times-magazine/https://www.photographersofcolor.org/https://twitter.com/photogsofcolorhttps://www.instagram.com/photogsofcolor/https://fulbright.uark.edu/departments/art/Thumbnail Image: ©Kathy Ryan 

Bowman’s work investigates the histories of people left out of the grand historical narratives with which we are more familiar. Previous to this project, she photographed monuments, artifacts of antiquity, and landscapes of historical significance in the U.S. In What Had Happened, Bowman returns to where she grew up (the Baldwin Hills, Inglewood, and Crenshaw neighborhoods of Los Angeles, CA), opening her own history to ask questions about the role location and landscape play in personal evolution. The images recall the events, objects, and sites that mold us in order to explore themes of displacement, family history, and notions of home. Bowman asks how we remember what has marked us in a place we once called home and how that place informs who we are in the present.Memories of place are nuanced, emotional, atmospheric, historical, and geographical; when we return to these sites they are never exactly as remembered and fail to fully complete the retelling of history. In these photographs the passing of time reveals itself in the shadows drifting over a backyard, in a carpeted staircase worn by years of feet treading its fibers, in the shifting earth cracking the sidewalk that lays over it. The double exposures and repeated imagery draw attention to the way that time alters our perception of locations. Collectively the images render parts of ourselves and the place we once called home lost to time.Dannielle Bowman received a BFA from The Cooper Union and an MFA from the Yale School of Art, where she was awarded the 2018 Richard Benson Prize. She was recently awarded the 2020 Aperture Portfolio Prize and was a contributor to the New York Times Magazine's 1619 Project. Bowman has been an artist in residence at Baxter St at the Camera Club of New York; The Center for Photography at Woodstock; and PICTURE BERLIN. <a href="https://danniellebowman.com/" rel="nofollow" target="_blank">https://danniellebowman.com/</a><a href="https://www.baxterst.org/what-had-happened/" rel="nofollow" target="_blank">https://www.baxterst.org/what-had-happened/</a><a href="https://aperture.org/blog/2020-portfolio-prize-dannielle-bowman/" rel="nofollow" target="_blank">https://aperture.org/blog/2020-portfolio-prize-dannielle-bowman/</a><a href="https://pdnonline.com/photography-business/photo-clients/editorial-photography/behind-the-lens-picturing-slaverys-history-for-1619-project-of-new-york-times-magazine/" rel="nofollow" target="_blank">https://pdnonline.com/photography-business/photo-clients/editorial-photography/behind-the-lens-picturing-slaverys-history-for-1619-project-of-new-york-times-magazine/</a><a href="https://www.photographersofcolor.org/" rel="nofollow" target="_blank">https://www.photographersofcolor.org/</a><a href="https://twitter.com/photogsofcolor" rel="nofollow" target="_blank">https://twitter.com/photogsofcolor</a><a href="https://www.instagram.com/photogsofcolor/" rel="nofollow" target="_blank">https://www.instagram.com/photogsofcolor/</a><a href="https://fulbright.uark.edu/departments/art/" rel="nofollow" target="_blank">https://fulbright.uark.edu/departments/art/</a>Thumbnail Image: ©Kathy Ryan

Dannielle Bowman | Ep. 10