Matthew Hoag's guest appearances

Matthew Hoag

Miami Underground Movement - M.U.M.

Al Vince Official Podcast

Basix Global podcast

Meet Me Backstage

Tomy DeClerque

Sasha Carassi

Paolo Mojo

Dave DK

Richie Hawtin

Andrea Doria

Jesse Perez

Koen Groeneveld

Marco Bailey

Carl Cox

Paco Osuna

Lucas Freire

Carlo Lio

Christian Smith

Tom Hades

OwlTail

01.Noir &amp; Haze - Around (Subb-an Remix) 02.Modern Amusement - Cold As Ice (Louie Fresco Remix) 03.Alex Sosa - Deep Mosta 04.Vincenzo - Hello (Mic Newman Dub Remix) 05.Dennis Ferrer &amp; Andre Hommen - No Difference 06.Solomun &amp; Stimming See You Everyday 07.Jacksonville - Sometime Shortwave 08.Soul Minority - Take Me To The Rhythm 09.Mri - Rough 10.Solomun - Love Recycled 11.Vincenzo and Talking Props - Seduction (Jimpster Remix)   basixglobal.net facebook.com/djmatthewhoag

01.Noir &amp; Haze - Around (Subb-an Remix) 02.Modern Amusement - Cold As Ice (Louie Fresco Remix) 03.Alex Sosa - Deep Mosta 04.Vincenzo - Hello (Mic Newman Dub Remix) 05.Dennis Ferrer &amp; Andre Hommen - No Difference 06.Solomun &amp; Stimming See You Everyday 07.Jacksonville - Sometime Shortwave 08.Soul Minority - Take Me To The Rhythm 09.Mri - Rough 10.Solomun - Love Recycled 11.Vincenzo and Talking Props - Seduction (Jimpster Remix) <a href="http://www.basixglobal.net" rel="nofollow" target="_blank">basixglobal.net</a> <a href="http://www.facebook.com/djmatthewhoag" rel="nofollow" target="_blank">facebook.com/djmatthewhoag</a>

|046| Matthew Hoag

Rod B. &amp; Alvaro Garfunk bring you the Miami Underground Movement       Matthew Hoag Being anonymous music aficionado, music  professional or a sexy Pacha girl, there are two things you really  should know about Matthew Hoag: meeting him in person is always fun.  Joining him for the night clubbing is a life changing experience. This  vivid, cheerful, friendly bon vivant isn’t just one of those guys who  want to know everything about the music as an art and the whole business  behind it. He’s foremost a really nice person and his works are  excellent reflections of his embrace-the-life globe trotting attitude. The  earliest seed that indicated Matthew’s future career is hidden  somewhere on the dance floor was his passion for light shows. He became  light-operator for the matinees in one of the local clubs already as a  teenager. Few years latter he took a job at the local radio station.  That’s where he learned how the radio station works, how the program is  being put together, he became skillful technician, and he also listened  to a lot of music: “I guess this is the main reason why I can’t be put  in the box as an artist. I was exposed to all range of commercial and  non commercial music. And it was that period when I grew taste for good  alternative music and explored even genres such as jazz and blues.” Meanwhile  his career took a big leap forward as he became “illegal” light  operator at the infamous Ambasada Gavioli club. This wasn’t his job. Put  more precisely: he wasn’t even allowed to come near the console by the  boss. But the resident deejays liked his touch and invited him into the  booth whenever possible. “I was hanging around to listen to the sets of  Valentino Kanzyani. Ambasada was the playground for the biggest names in  the game. And Sven Väth was the one that really stood out of the flock:  it was his human energy, power of his music, his ability to control the  dance floor what ultimately convinced me to become a deejay.” Although  it wasn’t Sven’s or Valentino’s sound that he wanted to follow. “I’ve  started with house, explored the progressive and I guess I could be  considered tech-house artist nowadays,” summarizes Matthew who as a very  versatile and eclectic artist doesn’t brand himself. He broke trough as  a deejay when spotted by Valentino Kanzyani at the party in Croatia:  “Valentino is one of the biggest figures in my life. He’s my brother  from another mother,” likes to jest Matthew about their friendship. “He  invited me to join his office, where I’ve got introduced to every angle  of label management and music promotion business.”  2009 saw  Matthew kicking the dance floors around the globe, from Columbia to  Turkey,from  Spain to Greece, from Germany To Brazil.

Rod B. &amp; Alvaro Garfunk bring you the Miami Underground Movement Matthew Hoag Being anonymous music aficionado, music professional or a sexy Pacha girl, there are two things you really should know about Matthew Hoag: meeting him in person is always fun. Joining him for the night clubbing is a life changing experience. This vivid, cheerful, friendly bon vivant isn’t just one of those guys who want to know everything about the music as an art and the whole business behind it. He’s foremost a really nice person and his works are excellent reflections of his embrace-the-life globe trotting attitude. The earliest seed that indicated Matthew’s future career is hidden somewhere on the dance floor was his passion for light shows. He became light-operator for the matinees in one of the local clubs already as a teenager. Few years latter he took a job at the local radio station. That’s where he learned how the radio station works, how the program is being put together, he became skillful technician, and he also listened to a lot of music: “I guess this is the main reason why I can’t be put in the box as an artist. I was exposed to all range of commercial and non commercial music. And it was that period when I grew taste for good alternative music and explored even genres such as jazz and blues.” Meanwhile his career took a big leap forward as he became “illegal” light operator at the infamous Ambasada Gavioli club. This wasn’t his job. Put more precisely: he wasn’t even allowed to come near the console by the boss. But the resident deejays liked his touch and invited him into the booth whenever possible. “I was hanging around to listen to the sets of Valentino Kanzyani. Ambasada was the playground for the biggest names in the game. And Sven Väth was the one that really stood out of the flock: it was his human energy, power of his music, his ability to control the dance floor what ultimately convinced me to become a deejay.” Although it wasn’t Sven’s or Valentino’s sound that he wanted to follow. “I’ve started with house, explored the progressive and I guess I could be considered tech-house artist nowadays,” summarizes Matthew who as a very versatile and eclectic artist doesn’t brand himself. He broke trough as a deejay when spotted by Valentino Kanzyani at the party in Croatia: “Valentino is one of the biggest figures in my life. He’s my brother from another mother,” likes to jest Matthew about their friendship. “He invited me to join his office, where I’ve got introduced to every angle of label management and music promotion business.”  2009 saw Matthew kicking the dance floors around the globe, from Columbia to Turkey,from  Spain to Greece, from Germany To Brazil.

M.U.M & Flow Management proudly presents "Miami Sessions with Matthew Hoag"- M.U.M- Episode 139

Rod B. &amp; Alvaro Garfunk bring you the Miami Underground Movement       Matthew Hoag Being anonymous music aficionado, music professional or a sexy Pacha girl, there are two things you really should know about Matthew Hoag: meeting him in person is always fun. Joining him for the night clubbing is a life changing experience. This vivid, cheerful, friendly bon vivant isn’t just one of those guys who want to know everything about the music as an art and the whole business behind it. He’s foremost a really nice person and his works are excellent reflections of his embrace-the-life globe trotting attitude. The earliest seed that indicated Matthew’s future career is hidden somewhere on the dance floor was his passion for light shows. He became light-operator for the matinees in one of the local clubs already as a teenager. Few years latter he took a job at the local radio station. That’s where he learned how the radio station works, how the program is being put together, he became skillful technician, and he also listened to a lot of music: “I guess this is the main reason why I can’t be put in the box as an artist. I was exposed to all range of commercial and non commercial music. And it was that period when I grew taste for good alternative music and explored even genres such as jazz and blues.” Meanwhile his career took a big leap forward as he became “illegal” light operator at the infamous Ambasada Gavioli club. This wasn’t his job. Put more precisely: he wasn’t even allowed to come near the console by the boss. But the resident deejays liked his touch and invited him into the booth whenever possible. “I was hanging around to listen to the sets of Valentino Kanzyani. Ambasada was the playground for the biggest names in the game. And Sven Väth was the one that really stood out of the flock: it was his human energy, power of his music, his ability to control the dance floor what ultimately convinced me to become a deejay.” Although it wasn’t Sven’s or Valentino’s sound that he wanted to follow. “I’ve started with house, explored the progressive and I guess I could be considered tech-house artist nowadays,” summarizes Matthew who as a very versatile and eclectic artist doesn’t brand himself. He broke trough as a deejay when spotted by Valentino Kanzyani at the party in Croatia: “Valentino is one of the biggest figures in my life. He’s my brother from another mother,” likes to jest Matthew about their friendship. “He invited me to join his office, where I’ve got introduced to every angle of label management and music promotion business.”  2009 saw Matthew kicking the dance floors around the globe, from Columbia to Turkey,from  Spain to Greece, from Germany To Brazil.

Rod B. &amp; Alvaro Garfunk bring you the Miami Underground Movement Matthew Hoag Being anonymous music aficionado, music professional or a sexy Pacha girl, there are two things you really should know about Matthew Hoag: meeting him in person is always fun. Joining him for the night clubbing is a life changing experience. This vivid, cheerful, friendly bon vivant isn’t just one of those guys who want to know everything about the music as an art and the whole business behind it. He’s foremost a really nice person and his works are excellent reflections of his embrace-the-life globe trotting attitude. The earliest seed that indicated Matthew’s future career is hidden somewhere on the dance floor was his passion for light shows. He became light-operator for the matinees in one of the local clubs already as a teenager. Few years latter he took a job at the local radio station. That’s where he learned how the radio station works, how the program is being put together, he became skillful technician, and he also listened to a lot of music: “I guess this is the main reason why I can’t be put in the box as an artist. I was exposed to all range of commercial and non commercial music. And it was that period when I grew taste for good alternative music and explored even genres such as jazz and blues.” Meanwhile his career took a big leap forward as he became “illegal” light operator at the infamous Ambasada Gavioli club. This wasn’t his job. Put more precisely: he wasn’t even allowed to come near the console by the boss. But the resident deejays liked his touch and invited him into the booth whenever possible. “I was hanging around to listen to the sets of Valentino Kanzyani. Ambasada was the playground for the biggest names in the game. And Sven Väth was the one that really stood out of the flock: it was his human energy, power of his music, his ability to control the dance floor what ultimately convinced me to become a deejay.” Although it wasn’t Sven’s or Valentino’s sound that he wanted to follow. “I’ve started with house, explored the progressive and I guess I could be considered tech-house artist nowadays,” summarizes Matthew who as a very versatile and eclectic artist doesn’t brand himself. He broke trough as a deejay when spotted by Valentino Kanzyani at the party in Croatia: “Valentino is one of the biggest figures in my life. He’s my brother from another mother,” likes to jest Matthew about their friendship. “He invited me to join his office, where I’ve got introduced to every angle of label management and music promotion business.”  2009 saw Matthew kicking the dance floors around the globe, from Columbia to Turkey,from  Spain to Greece, from Germany To Brazil.

M.U.M & Flow Management proudly presents "Miami Sessions with Matthew Hoag"- M.U.M- Episode 126

Rod B. &amp; Alvaro Garfunk bring you the Miami Underground MovementMatthew Hoag Being anonymous music aficionado, musicprofessional or a sexy Pacha girl, there are two things you reallyshould know about Matthew Hoag: meeting him in person is always fun.Joining him for the night clubbing is a life changing experience. Thisvivid, cheerful, friendly bon vivant isn’t just one of those guys whowant to know everything about the music as an art and the wholebusiness behind it. He’s foremost a really nice person and his worksare excellent reflections of his embrace-the-life globe trottingattitude. The earliest seed that indicated Matthew’s futurecareer is hidden somewhere on the dance floor was his passion for lightshows. He became light-operator for the matinees in one of the localclubs already as a teenager. Few years latter he took a job at thelocal radio station. That’s where he learned how the radio stationworks, how the program is being put together, he became skillfultechnician, and he also listened to a lot of music: “I guess this isthe main reason why I can’t be put in the box as an artist. I wasexposed to all range of commercial and non commercial music. And it wasthat period when I grew taste for good alternative music and exploredeven genres such as jazz and blues.” Meanwhile his career tooka big leap forward as he became “illegal” light operator at theinfamous Ambasada Gavioli club. This wasn’t his job. Put moreprecisely: he wasn’t even allowed to come near the console by the boss.But the resident deejays liked his touch and invited him into the boothwhenever possible. “I was hanging around to listen to the sets ofValentino Kanzyani. Ambasada was the playground for the biggest namesin the game. And Sven Väth was the one that really stood out of theflock: it was his human energy, power of his music, his ability tocontrol the dance floor what ultimately convinced me to become adeejay.” Although it wasn’t Sven’s or Valentino’s sound thathe wanted to follow. “I’ve started with house, explored the progressiveand I guess I could be considered tech-house artist nowadays,”summarizes Matthew who as a very versatile and eclectic artist doesn’tbrand himself. He broke trough as a deejay when spotted by ValentinoKanzyani at the party in Croatia: “Valentino is one of the biggestfigures in my life. He’s my brother from another mother,” likes to jestMatthew about their friendship. “He invited me to join his office,where I’ve got introduced to every angle of label management and musicpromotion business.”  2009 saw Matthew kicking the dancefloors around the globe, from Columbia to Turkey,from  Spain to Greece,from Germany To Brazil.

Rod B. &amp; Alvaro Garfunk bring you the Miami Underground MovementMatthew Hoag Being anonymous music aficionado, music professional or a sexy Pacha girl, there are two things you really should know about Matthew Hoag: meeting him in person is always fun. Joining him for the night clubbing is a life changing experience. This vivid, cheerful, friendly bon vivant isn’t just one of those guys who want to know everything about the music as an art and the whole business behind it. He’s foremost a really nice person and his works are excellent reflections of his embrace-the-life globe trotting attitude. The earliest seed that indicated Matthew’s future career is hidden somewhere on the dance floor was his passion for light shows. He became light-operator for the matinees in one of the local clubs already as a teenager. Few years latter he took a job at the local radio station. That’s where he learned how the radio station works, how the program is being put together, he became skillful technician, and he also listened to a lot of music: “I guess this is the main reason why I can’t be put in the box as an artist. I was exposed to all range of commercial and non commercial music. And it was that period when I grew taste for good alternative music and explored even genres such as jazz and blues.” Meanwhile his career took a big leap forward as he became “illegal” light operator at the infamous Ambasada Gavioli club. This wasn’t his job. Put more precisely: he wasn’t even allowed to come near the console by the boss. But the resident deejays liked his touch and invited him into the booth whenever possible. “I was hanging around to listen to the sets of Valentino Kanzyani. Ambasada was the playground for the biggest names in the game. And Sven Väth was the one that really stood out of the flock: it was his human energy, power of his music, his ability to control the dance floor what ultimately convinced me to become a deejay.” Although it wasn’t Sven’s or Valentino’s sound that he wanted to follow. “I’ve started with house, explored the progressive and I guess I could be considered tech-house artist nowadays,” summarizes Matthew who as a very versatile and eclectic artist doesn’t brand himself. He broke trough as a deejay when spotted by Valentino Kanzyani at the party in Croatia: “Valentino is one of the biggest figures in my life. He’s my brother from another mother,” likes to jest Matthew about their friendship. “He invited me to join his office, where I’ve got introduced to every angle of label management and music promotion business.”  2009 saw Matthew kicking the dance floors around the globe, from Columbia to Turkey,from  Spain to Greece, from Germany To Brazil.