Janie Barnett's guest appearances

Janie Barnett

Creative Strings Podcast with Violinist Christian Howes

Women of Substance Music Podcast

Mostly Folk

The Cornbread Cafe

Women of Substance Music Podcast Volume 1

Regina Carter

Noa Kageyama

Christian Howes

Phil Cohen

Colin Thomson

Lula Wiles

Maggie Baugh

Zak Smith

Greg Anderson

Dom Flemons

Rodney Crowell

George Winston

Jude Johnstone

Jody Carver

Bryan Wilson

OwlTail

Read the blog post here: http://bit.ly/CSpodcast28Janie Barnett's new CD, "You See This River" is original, personal, and beautiful; the fact that she put it out 30 years into her career intrigued me.I wanted to know how she's managed to piece her career together so many years, before, during, and after raising children, all the time staying in NYC.I wanted to find out how an artist keeps their fire for creating new material into their 30s, 40s. and beyond.Let's face it- half of the battle for most artists is LASTING.Persevering through various life phases, relationships, parenting -whatever inevitable strains that force us this way or that way to compromise on the pure pursuance most of us felt when we were first starting out.Many artists freelance for a few years, even ten or more, and then take day jobs, quit music altogether, find the most stable performing or teaching gig they can- anything they can settle into. Many artists who move to NYC leave after a few years, if they even make it that long.Janie maintains streams of hustle and creative work, from teaching to producing, writing, and performing. She's still going for it in every sense.You've got to respect that.In the Creative Strings Podcast Episode 28, we discuss topics such as:- Learning language to communicate between musicians- Janie's new CD "You See This River"- Having kids and starting a family while sticking with your art- The importance of letting go as an artist for self discoveryPlease take a moment to visit our sponsor Electric Violin Shop, your one-stop shop for electric instruments, amps, gear, accessories, and most of all, expertise. Use code CHOWES at checkout and take 5% off of your order. Call 866-900-8400 to get your questions answered on “all things electric strings.”While you are talking to EVS, be sure to ask them about the new Yamaha Electric Violin. I’ve been a Yamaha performing artist for almost 20 years now and am very proud to be a part of the Yamaha family.

Read the blog post here: <a href="http://bit.ly/CSpodcast28" rel="nofollow" target="_blank">http://bit.ly/CSpodcast28</a> Janie Barnett's new CD, "You See This River" is original, personal, and beautiful; the fact that she put it out 30 years into her career intrigued me. I wanted to know how she's managed to piece her career together so many years, before, during, and after raising children, all the time staying in NYC. I wanted to find out how an artist keeps their fire for creating new material into their 30s, 40s. and beyond. Let's face it- half of the battle for most artists is LASTING. Persevering through various life phases, relationships, parenting -whatever inevitable strains that force us this way or that way to compromise on the pure pursuance most of us felt when we were first starting out. Many artists freelance for a few years, even ten or more, and then take day jobs, quit music altogether, find the most stable performing or teaching gig they can- anything they can settle into. Many artists who move to NYC leave after a few years, if they even make it that long. Janie maintains streams of hustle and creative work, from teaching to producing, writing, and performing. She's still going for it in every sense. You've got to respect that. In the Creative Strings Podcast Episode 28, we discuss topics such as: - Learning language to communicate between musicians - Janie's new CD "You See This River" - Having kids and starting a family while sticking with your art - The importance of letting go as an artist for self discovery Please take a moment to visit our sponsor Electric Violin Shop, your one-stop shop for electric instruments, amps, gear, accessories, and most of all, expertise. Use code CHOWES at checkout and take 5% off of your order. Call 866-900-8400 to get your questions answered on “all things electric strings.” While you are talking to EVS, be sure to ask them about the new Yamaha Electric Violin. I’ve been a Yamaha performing artist for almost 20 years now and am very proud to be a part of the Yamaha family.

Artistic Pursuance vs The Long Arc w/ Janie Barnett: Creative Strings Podcast EP 28

Janie Barnett &amp; Blue Room/Good Crazy Thing/You See This RiverJanie Barnett &amp; Blue Room/Beginner/ You See This RiverJanie Barnett &amp; Blue Room/Walk It Out To You/You See This RiverJanie Barnett &amp; Blue Room/Another Round Before It's Time /You See This RiverJanie Barnett &amp; Blue Room/Buy That Thng/You See This RiverJanie Barnett &amp; Blue Room/You See This River/You See This RiverJanie Barnett &amp; Blue Room/Sweet Thursday/You See This RiverJanie Barnett &amp; Blue Room/How You Are/You See This RiverJanie Barnett &amp; Blue Room/This Small World/You See This RiverJanie Barnett &amp; Blue Room/Wrap Me Up/You See This RiverJanie Barnett &amp; Blue Room/Better Times Are Coming/You See This RiverJanie Barnett &amp; Blue Room/Face The Voodoo/You See This RiverJanie Barnett &amp; Blue Room/How Can I Keep From Singing/You See This River See acast.com/privacy for privacy and opt-out information.Support the show

Janie Barnett &amp; Blue Room/Good Crazy Thing/You See This RiverJanie Barnett &amp; Blue Room/Beginner/ You See This RiverJanie Barnett &amp; Blue Room/Walk It Out To You/You See This RiverJanie Barnett &amp; Blue Room/Another Round Before It's Time /You See This RiverJanie Barnett &amp; Blue Room/Buy That Thng/You See This RiverJanie Barnett &amp; Blue Room/You See This River/You See This RiverJanie Barnett &amp; Blue Room/Sweet Thursday/You See This RiverJanie Barnett &amp; Blue Room/How You Are/You See This RiverJanie Barnett &amp; Blue Room/This Small World/You See This RiverJanie Barnett &amp; Blue Room/Wrap Me Up/You See This RiverJanie Barnett &amp; Blue Room/Better Times Are Coming/You See This RiverJanie Barnett &amp; Blue Room/Face The Voodoo/You See This RiverJanie Barnett &amp; Blue Room/How Can I Keep From Singing/You See This River See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for privacy and opt-out information.<a href="https://www.patreon.com/artiemartello?fan_landing=true" rel="payment nofollow" target="_blank">Support the show</a>

Mostly Folk Podcast Episode 349 featuring Janie Barnett

Janie Barnett discusses her gracefully drifting release, You See this River. Welcome! brothers and sisters to Episode #6—of the Cornbread Cafe. I am the mongrel, and I will be your waiter today. Cazh and cozy, we’re located at the five-corners of Blues, Americana, Folk, Country, and Gospel. And you can sometimes catch an express to Rock ’n’ Roll at the bus stop across the way. We hope to become your new new fave hang for the best in a sprawling menu of American Roots music. I am the mongrel, and I will be your waiter today. Cazh and cozy, we’re located at the five-corners of Blues, Americana, Folk, Country, and Gospel. And you can sometimes catch an express to Rock ’n’ Roll at the bus stop across the way. We are the Internet’s new fave hang for the best in a sprawling menu of American Roots music. Click the play button on this audio player to hear the complete interview with Janie Barnett.  Artists Featured in this Episode: Janie Barnett, “You See This River,” You See this River Janie Barnett, “Better Times Are Coming,” You See this River Molly Pinto Madigan, “Seven Tears,” The Cup Overflows Bees Deluxe, “Industrial (espionage),” single Gus McKay, “Married a Snake,” Salt Flat Mojo Blues Heather Maloney, “Let Me Stay,” by Just Enough Sun Almond &amp; Olive, “We Will,” Standing at the Precipice Birds of Chicago, “American Flowers,” American Flowers Janie Barnett, “Sweet Thursday,” You See this River  Note: Artist links provide access directly to artists’ websites or social media homepages. All album links provide access to song or album purchase options, often through our affiliate programs with Apple Music or Amazon.com. Musicians’ bio info comes from the artists, their websites, or their publicists. Click on names below to visit their websites where you can get the full story, photos, and very often video.  On her just released album, You See This River, Janie crafts stories dug out your family’s cedar trunks up in the attic, memories traced in carbon copy from old letters in the shoebox in the back of the closet. Her ballads are painted in emotions as fresh as eternally wet paint. Her creations are woven from Words that seem like she could have teased them out of my own brain if I were an immeasurably more talented poet. Some are Songs of stubbornly optimistic, inevitable love filtered through a self-knowledge even the most enlightened gurus would envy. Some Songs echo the lives people who are really living their lives on the back stoops, in the kitchens, in bedrooms together in vulnerable companionship or the complex internal lives we’re living alone in our hearts and minds as we travel through our labors or little luxuries. Penetrating and heartbreaking. Wise and reckless. True. Imagined. True anyway. Janie Barnett thanks for being on the show! (audio clip of our interview with Janie Barnett)  Upcoming Event Janie Barnett, opening for Paula ColeSaturday December 16, 2017 at 8:00 p.m.The Center for Arts in Natickinfo &amp; tickets   Molly Pinto Madigan’s 2017 release, The Cup Overflows, builds on her impressive songwriting and vocal skills with a heightened level of self-assurance that suits her musical direction.  I think it’s about time that we all get a taste of the work that I know Janie can do, does do, and has done with Blue Room on this recent release “You See This River.” Before we do, though, I need to pause and explain that I had no idea just how engaging our conversation was going to be. I will confess right here and now that I was prepared to record for 20 minutes, keep the best 10, and share them with you. When I looked up at the clock and saw that a full 30 minutes had gone by, and realized that she had so many more stories and nuggets of wisdom to share, I made the decision to keep rolling tape and figure it out later. And I think I’ve got it figured out, now. I’ve edited the entire conversation, keeping almost every syllable, and have made the entire talk available as bonus audio here in the show notes. Just look for the audio player below the first paragraph. You’ll want to hear everything Janie has to say. And to create the most powerful, most tempting incentive, I’m going to sprinkle jewels from our talk throughout the rest of the show. That way, you still get almost as much music as usual, AND you get an exclusive interview with one of Americana’s leading ladies. Bees Deluxe Front: Conrad Warren, Allyn “Aldo” Dorr Back: Patrick Sanders, Carol Band photo courtesy Carol Band via Patch  So let’s have two right now from Janie—One, a searching, buoyant rendition of Steven Foster’s “Better Times Are Coming” from 1862, but first the title track off this tuneful treasure trove, You See This River. And THAT last number was Seven Tears off our old friend Molly Pinto Madigan’s very recent release The Cup Overflows. Before that, we heard Better Times Are Coming and the title track from You See This River, from the very phenomenal Janie Barnett and Blue Room. You can find purchase options for their most recent as well as prior releases in the “Artists Featured in this Episode” section, above. After hearing Janie Barnett, you’re likely to ask yourself, “This is great, but how and where can I experience the magic live?” You’re in luck, because she has a couple shows coming up in the next couple of months, including a one-of-a-kind performance December 16 opening up for Paula Cole at the Center for Arts in Natick, Mass. If you’re anywhere in the Boston Metro neighborhood, you won’t want to miss what is sure to be a powerful evening of tunes. Gus McKay; photo courtesy Gus McKay  Next course coming out of the kitchen is a sub-genre we have not explored much yet on the Cornbread Cafe—and that’s Acid Blues. Oh it’s true blue, but just a little bit gacked out. We’ll have a double shot that starts with a band I’ve been following since my days at the helm of the Mongrel’s Howl podcast, back in 2005. In fact, that’s why I was so grateful and honored that they responded to my note asking if they wanted to be part of this new show. Ever-gracious, they obliged, and YOU dear listener, reap the benefits of my association, I promise you that. Also in this block, we’ll hear a deeper cut “Married a Snake,” off Gus McKay’s recent release, Salt Flat Mojo Blues. I don’t know if Gus would categorize his music as acid blues, but I’ll let you be the judge of whether it belongs in the same drawer as Bees Deluxe’s newest single, Industrial (espionage) right here on the Cornbread Cafe. (audio clip of our interview with Janie Barnett) Heather Maloney; photo courtesy heathermaloney.com That’s Janie Barnett talking about the need to wrangle, and ultimately reconcile time and creativity as responsibilities of family and paying gigs eat away at the leisurely time once spent waiting for the muse to show up with inspiration. In our extended conversation, Janie shares some deeply personal perspectives on subjects like family. I really encourage you to to listen to what was, for me, one of my most absorbing interviews ever. In fact, let’s have a listen to one of my favorite gems from our talk before we hear brandy new just released tracks from Heather Maloney, Almond &amp; Olive, and Birds of Chicago. We just heard the title track from the just released EP “American Flowers,” by Birds of Chicago, available through Signature Sounds. On a different podcast, I’ve had the distinct pleasure of sharing a long conversation with JT Nero who, along with Allison Russell, makes up the principle force of the group that’s been described as “secular gospel.” That identifier certainly seems to fit, doesn’t it? The affect some of their songs have on me definitely goes beyond simply my heart and mind. Almond &amp; Olive; submitted photo.  Before that, we heard “We Will” off the new release from Almond &amp; Olive. This duo, sometimes known simply as A&amp;O, is comprised of singer-songwriters Natalie Alms and Ollie Davidson. The also call Chicago home, so if you think detect some shared musical DNA, you’re probably not wrong. The track comes from “Standing at the Precipice,” an album that came about less than two years after the two met in 2015. And we started the set with another artist on the Signature Sounds label, Heather Maloney, who brought us “Let Me Stay,” from her latest effort, Just Enough Sun, which also features the instrumentation of Ryan Hommel. You’ll be hearing plenty more cuts off each of these albums in the near future, probably just as soon as my heart recovers from the extreme emotional workout that triple of tunes put it through. Pre-order American Flowers, from Birds of Chicago, now—you’ll be glad you did.  Before them, Janie Barnett gave us a deep look into the emotional dimensions of her own creative source material, and how motherhood instilled a sense of forgiveness in the artistic space she inhabits these days. Let’s here from Janie again as we work our way through dessert and coffee. She talks about the process of creating her new album, You See This River, one of the most consistent and structurally sound I’ve heard. She suggested we close out the show with a song she described as one of her more light-hearted compositions, “Sweet Thursday.” I think you’ll agree that it’s just the balm you need some days, these days. (audio clip of our interview with Janie Barnett) Janie Barnett; photo courtesy janiebarnett.com.  Well, that’s our show for the week. I know you won’t want to miss next weeks episode of the Cornbread Cafe, so I’d encourage you to subscribe through iTunes or Google Play Music—you’ll find the subscribe buttons on just about any page of our site. And when you subscribe, I’d be grateful if you left us a review—it really helps people discover us. I’ve been your host, Jay Vee, aka the mongrel, and I thank you for listening. We’ll tuck into more heaping helpings of American Roots music next week. Take care.

<h4>Janie Barnett discusses her gracefully drifting release, You See this River.</h4> Welcome! brothers and sisters to Episode #6—of the Cornbread Cafe. I am the mongrel, and I will be your waiter today. Cazh and cozy, we’re located at the five-corners of Blues, Americana, Folk, Country, and Gospel. And you can sometimes catch an express to Rock ’n’ Roll at the bus stop across the way. We hope to become your new new fave hang for the best in a sprawling menu of American Roots music. I am the mongrel, and I will be your waiter today. Cazh and cozy, we’re located at the five-corners of Blues, Americana, Folk, Country, and Gospel. And you can sometimes catch an express to Rock ’n’ Roll at the bus stop across the way. We are the Internet’s new fave hang for the best in a sprawling menu of American Roots music. Click the play button on this audio player to hear the complete interview with Janie Barnett. <blockquote> <h4>Artists Featured in this Episode:</h4> <a href="https://janiebarnett.com/" rel="noopener noreferrer nofollow" target="_blank">Janie Barnett</a>, “You See This River,” <a href="https://geo.itunes.apple.com/us/album/you-see-this-river/1218292277?mt=1&amp;app=music&amp;at=1010lt4r" rel="noopener noreferrer nofollow" target="_blank">You See this River</a> <a href="https://janiebarnett.com/" rel="noopener noreferrer nofollow" target="_blank">Janie Barnett</a>, “Better Times Are Coming,” <a href="https://geo.itunes.apple.com/us/album/you-see-this-river/1218292277?mt=1&amp;app=music&amp;at=1010lt4r" rel="noopener noreferrer nofollow" target="_blank">You See this River</a> <a href="https://www.mollypintomadigan.com/" rel="noopener noreferrer nofollow" target="_blank">Molly Pinto Madigan</a>, “Seven Tears,” <a href="https://geo.itunes.apple.com/us/album/the-cup-overflows/1262420071?mt=1&amp;app=music&amp;at=1010lt4r" rel="noopener noreferrer nofollow" target="_blank">The Cup Overflows</a> <a href="http://www.beesdeluxe.com" rel="noopener noreferrer nofollow" target="_blank">Bees Deluxe</a>, “Industrial (espionage),” <a href="http://www.beesdeluxe.com/advance-track" rel="noopener noreferrer nofollow" target="_blank">single</a> <a href="http://www.gusmckay.com.au/" rel="noopener noreferrer nofollow" target="_blank">Gus McKay</a>, “Married a Snake,” <a href="https://www.amazon.com/Saltflat-Blues-Gus-Mckay/dp/B00BO58ZSY/ref=as_li_ss_tl?ie=UTF8&amp;qid=1490464983&amp;sr=8-1&amp;keywords=Gus+Mckay&amp;linkCode=ll1&amp;tag=stasthgr-20&amp;linkId=91db28067daae5f2bb10a255c2033032" rel="noopener noreferrer nofollow" target="_blank">Salt Flat Mojo Blues</a> <a href="http://www.heathermaloney.com/" rel="noopener noreferrer nofollow" target="_blank">Heather Maloney</a>, “Let Me Stay,” by <a href="https://heathermaloneymusic.bandcamp.com/album/just-enough-sun" rel="noopener noreferrer nofollow" target="_blank">Just Enough Sun</a> <a href="http://www.almondolivemusic.com/" rel="noopener noreferrer nofollow" target="_blank">Almond &amp; Olive</a>, “We Will,” <a href="https://geo.itunes.apple.com/us/album/standing-at-the-precipice/1199627105?mt=1&amp;app=music&amp;at=1010lt4r" rel="noopener noreferrer nofollow" target="_blank">Standing at the Precipice</a> <a href="http://www.birdsofchicago.com/" rel="noopener noreferrer nofollow" target="_blank">Birds of Chicago</a>, “American Flowers,” <a href="https://geo.itunes.apple.com/us/album/american-flowers/1296464187?mt=1&amp;app=music&amp;at=1010lt4r" rel="noopener noreferrer nofollow" target="_blank">American Flowers</a> <a href="https://janiebarnett.com/" rel="noopener noreferrer nofollow" target="_blank">Janie Barnett</a>, “Sweet Thursday,” <a href="https://geo.itunes.apple.com/us/album/you-see-this-river/1218292277?mt=1&amp;app=music&amp;at=1010lt4r" rel="noopener noreferrer nofollow" target="_blank">You See this River</a> </blockquote> Note: Artist links provide access directly to artists’ websites or social media homepages. All album links provide access to song or album purchase options, often through our affiliate programs with Apple Music or <a href="http://Amazon.com" rel="nofollow" target="_blank">Amazon.com</a>. Musicians’ bio info comes from the artists, their websites, or their publicists. Click on names below to visit their websites where you can get the full story, photos, and very often video. <a href="https://www.greylockglass.com/wp-content/uploads/2017/12/you-see-this-river-front-cover.jpeg" rel="noopener noreferrer nofollow" target="_blank"></a> On her just released album, You See This River, Janie crafts stories dug out your family’s cedar trunks up in the attic, memories traced in carbon copy from old letters in the shoebox in the back of the closet. Her ballads are painted in emotions as fresh as eternally wet paint. Her creations are woven from Words that seem like she could have teased them out of my own brain if I were an immeasurably more talented poet. Some are Songs of stubbornly optimistic, inevitable love filtered through a self-knowledge even the most enlightened gurus would envy. Some Songs echo the lives people who are really living their lives on the back stoops, in the kitchens, in bedrooms together in vulnerable companionship or the complex internal lives we’re living alone in our hearts and minds as we travel through our labors or little luxuries. Penetrating and heartbreaking. Wise and reckless. True. Imagined. True anyway. Janie Barnett thanks for being on the show! (audio clip of our interview with Janie Barnett) <blockquote> <h4>Upcoming Event</h4> Janie Barnett, opening for Paula Cole Saturday December 16, 2017 at 8:00 p.m. The Center for Arts in Natick <a href="http://www.natickarts.org/performance/paula-cole-2017-12-16" rel="noopener noreferrer nofollow" target="_blank">info &amp; tickets</a> </blockquote> Molly Pinto Madigan’s 2017 release, The Cup Overflows, builds on her impressive songwriting and vocal skills with a heightened level of self-assurance that suits her musical direction. I think it’s about time that we all get a taste of the work that I know Janie can do, does do, and has done with Blue Room on this recent release “You See This River.” Before we do, though, I need to pause and explain that I had no idea just how engaging our conversation was going to be. I will confess right here and now that I was prepared to record for 20 minutes, keep the best 10, and share them with you. When I looked up at the clock and saw that a full 30 minutes had gone by, and realized that she had so many more stories and nuggets of wisdom to share, I made the decision to keep rolling tape and figure it out later. And I think I’ve got it figured out, now. I’ve edited the entire conversation, keeping almost every syllable, and have made the entire talk available as bonus audio here in the show notes. Just look for the audio player below the first paragraph. You’ll want to hear everything Janie has to say. And to create the most powerful, most tempting incentive, I’m going to sprinkle jewels from our talk throughout the rest of the show. That way, you still get almost as much music as usual, AND you get an exclusive interview with one of Americana’s leading ladies. <a href="https://www.greylockglass.com/wp-content/uploads/2017/12/Bees_Deluxe_square.jpg" rel="noopener nofollow" target="_blank"></a>Bees Deluxe Front: Conrad Warren, Allyn “Aldo” Dorr Back: Patrick Sanders, Carol Band photo courtesy Carol Band via Patch So let’s have two right now from Janie—One, a searching, buoyant rendition of Steven Foster’s “Better Times Are Coming” from 1862, but first the title track off this tuneful treasure trove, You See This River. And THAT last number was Seven Tears off our old friend Molly Pinto Madigan’s very recent release The Cup Overflows. Before that, we heard Better Times Are Coming and the title track from You See This River, from the very phenomenal Janie Barnett and Blue Room. You can find purchase options for their most recent as well as prior releases in the “Artists Featured in this Episode” section, above. After hearing Janie Barnett, you’re likely to ask yourself, “This is great, but how and where can I experience the magic live?” You’re in luck, because she has a couple shows coming up in the next couple of months, including a one-of-a-kind performance December 16 opening up for Paula Cole at the Center for Arts in Natick, Mass. If you’re anywhere in the Boston Metro neighborhood, you won’t want to miss what is sure to be a powerful evening of tunes. <a href="https://www.greylockglass.com/wp-content/uploads/2017/03/gg_cc_Gus-McKay.jpg" rel="noopener nofollow" target="_blank"></a>Gus McKay; photo courtesy Gus McKay Next course coming out of the kitchen is a sub-genre we have not explored much yet on the Cornbread Cafe—and that’s Acid Blues. Oh it’s true blue, but just a little bit gacked out. We’ll have a double shot that starts with a band I’ve been following since my days at the helm of the Mongrel’s Howl podcast, back in 2005. In fact, that’s why I was so grateful and honored that they responded to my note asking if they wanted to be part of this new show. Ever-gracious, they obliged, and YOU dear listener, reap the benefits of my association, I promise you that. Also in this block, we’ll hear a deeper cut “Married a Snake,” off Gus McKay’s recent release, Salt Flat Mojo Blues. I don’t know if Gus would categorize his music as acid blues, but I’ll let you be the judge of whether it belongs in the same drawer as Bees Deluxe’s newest single, Industrial (espionage) right here on the Cornbread Cafe. (audio clip of our interview with Janie Barnett) <a href="https://www.greylockglass.com/wp-content/uploads/2017/12/heather_maloney_almost-1x1.jpg" rel="noopener nofollow" target="_blank"></a>Heather Maloney; photo courtesy <a href="http://heathermaloney.com" rel="nofollow" target="_blank">heathermaloney.com</a> That’s Janie Barnett talking about the need to wrangle, and ultimately reconcile time and creativity as responsibilities of family and paying gigs eat away at the leisurely time once spent waiting for the muse to show up with inspiration. In our extended conversation, Janie shares some deeply personal perspectives on subjects like family. I really encourage you to to listen to what was, for me, one of my most absorbing interviews ever. In fact, let’s have a listen to one of my favorite gems from our talk before we hear brandy new just released tracks from Heather Maloney, Almond &amp; Olive, and Birds of Chicago. We just heard the title track from the just released EP “American Flowers,” by Birds of Chicago, available through Signature Sounds. On a different podcast, I’ve had the distinct pleasure of sharing <a href="https://www.greylockglass.com/2017/02/04/ie-29-birds-chicago-iron-age-mystics/" rel="noopener noreferrer nofollow" target="_blank">a long conversation with JT Nero</a> who, along with Allison Russell, makes up the principle force of the group that’s been described as “secular gospel.” That identifier certainly seems to fit, doesn’t it? The affect some of their songs have on me definitely goes beyond simply my heart and mind. <a href="https://www.greylockglass.com/wp-content/uploads/2017/12/almond-olive_1x1.jpg" rel="noopener nofollow" target="_blank"></a>Almond &amp; Olive; submitted photo. Before that, we heard “We Will” off the new release from Almond &amp; Olive. This duo, sometimes known simply as A&amp;O, is comprised of singer-songwriters Natalie Alms and Ollie Davidson. The also call Chicago home, so if you think detect some shared musical DNA, you’re probably not wrong. The track comes from “Standing at the Precipice,” an album that came about less than two years after the two met in 2015. And we started the set with another artist on the Signature Sounds label, Heather Maloney, who brought us “Let Me Stay,” from her latest effort, Just Enough Sun, which also features the instrumentation of Ryan Hommel. You’ll be hearing plenty more cuts off each of these albums in the near future, probably just as soon as my heart recovers from the extreme emotional workout that triple of tunes put it through. <a href="https://birdsofchicago.bandcamp.com" rel="noopener nofollow" target="_blank"></a>Pre-order American Flowers, from Birds of Chicago, now—you’ll be glad you did. Before them, Janie Barnett gave us a deep look into the emotional dimensions of her own creative source material, and how motherhood instilled a sense of forgiveness in the artistic space she inhabits these days. Let’s here from Janie again as we work our way through dessert and coffee. She talks about the process of creating her new album, You See This River, one of the most consistent and structurally sound I’ve heard. She suggested we close out the show with a song she described as one of her more light-hearted compositions, “Sweet Thursday.” I think you’ll agree that it’s just the balm you need some days, these days. (audio clip of our interview with Janie Barnett) <a href="https://www.greylockglass.com/wp-content/uploads/2017/12/janie_guitar_bw.jpg" rel="noopener nofollow" target="_blank"></a>Janie Barnett; photo courtesy <a href="http://janiebarnett.com" rel="nofollow" target="_blank">janiebarnett.com</a>. Well, that’s our show for the week. I know you won’t want to miss next weeks episode of the Cornbread Cafe, so I’d encourage you to subscribe through iTunes or Google Play Music—you’ll find the subscribe buttons on just about any page of our site. And when you subscribe, I’d be grateful if you left us a review—it really helps people discover us. I’ve been your host, Jay Vee, aka the mongrel, and I thank you for listening. We’ll tuck into more heaping helpings of American Roots music next week. Take care.

The Cornbread Cafe #6: INTERVIEW with Janie Barnett, too many new tracks to list!