Pat Thompson's guest appearances

Pat Thompson

The Todd Shapiro Show

All Things Indie

National Gallery of Australia | Audio Tour | Home Sweet Home

Sports to the Max with Mike Max

Chip Taylor

Bruce Boudreau

Bill Guerin

Jason Zucker

Matt Dumba

Jared Spurgeon

Sugar Lyn Beard

Donald Trump

Brad Frost

John McAfee

Tom McCarthy

Chris Denson

Adam Carolla

Tom Segura

Bert Kreischer

OwlTail

If you think the sport of baseball has an age limit, you'd be wrong.  Pat Thompson is part of a league with players at an advanced age.  He reminisces with Mike about playing the game past your "prime".

If you think the sport of baseball has an age limit, you'd be wrong.  Pat Thompson is part of a league with players at an advanced age.  He reminisces with Mike about playing the game past your "prime".

Sports to the Max: Pat Thompson

Episode 21: Discussion about Scrivener with Pat Thompson Prologue: Back up your Computer The Career Author episode:  https://thecareerauthor.com/the-career-author-podcast-episode-60-nerd-alert-implementing-a-backup-system/ Dropbox: https://www.dropbox.com/ Main Story: Discussion about Scrivener with Pat Thompson Scrivener: https://www.literatureandlatte.com/scrivener/overview Microsoft Word: https://products.office.com/en-us/word Epilogue: Finding your Book Title Braving the Storms: http://kylepratt.me/braving Girl on a Train:  https://www.amazon.com/gp/product/B079K2DYXK/ The Girl on the Train: https://www.amazon.com/gp/product/B00L9B7IKE Through the Storms: http://kylepratt.me/tts WSJ Article:  https://www.wsj.com/articles/loved-the-novel-about-a-girl-on-a-train-you-may-have-read-the-wrong-book-1447724224 Music "Never Surrender" by Chasing Noise, off their album, Everything http://chasingnoise.wixsite.com/chasingnoise

Episode 21: Discussion about Scrivener with Pat Thompson Prologue: Back up your Computer The Career Author episode: <a href="https://thecareerauthor.com/the-career-author-podcast-episode-60-nerd-alert-implementing-a-backup-system/" rel="nofollow" target="_blank"> https://thecareerauthor.com/the-career-author-podcast-episode-60-nerd-alert-implementing-a-backup-system/</a> Dropbox: <a href="https://www.dropbox.com/" rel="nofollow" target="_blank">https://www.dropbox.com/</a> Main Story: Discussion about Scrivener with Pat Thompson Scrivener: <a href="https://www.literatureandlatte.com/scrivener/overview" rel="nofollow" target="_blank">https://www.literatureandlatte.com/scrivener/overview</a> Microsoft Word: <a href="https://products.office.com/en-us/word" rel="nofollow" target="_blank">https://products.office.com/en-us/word</a> Epilogue: Finding your Book Title Braving the Storms: <a href="http://kylepratt.me/braving" rel="nofollow" target="_blank">http://kylepratt.me/braving</a> Girl on a Train: <a href="https://www.amazon.com/gp/product/B079K2DYXK/ref=dbs_a_def_rwt_bibl_vppi_i0" rel="nofollow" target="_blank"> https://www.amazon.com/gp/product/B079K2DYXK/</a> The Girl on the Train: <a href="https://www.amazon.com/gp/product/B00L9B7IKE" rel="nofollow" target="_blank">https://www.amazon.com/gp/product/B00L9B7IKE</a> Through the Storms: <a href="http://kylepratt.me/tts" rel="nofollow" target="_blank">http://kylepratt.me/tts</a> WSJ Article: <a href="https://www.wsj.com/articles/loved-the-novel-about-a-girl-on-a-train-you-may-have-read-the-wrong-book-1447724224" rel="nofollow" target="_blank"> https://www.wsj.com/articles/loved-the-novel-about-a-girl-on-a-train-you-may-have-read-the-wrong-book-1447724224</a> Music "Never Surrender" by Chasing Noise, off their album, Everything <a href="http://chasingnoise.wixsite.com/chasingnoise" rel="nofollow" target="_blank">http://chasingnoise.wixsite.com/chasingnoise</a>

Ep 21: Discussion about Scrivener with Pat Thompson

Isaiah Mustafa

Ryan Hillis

Actor Isaiah Mustafa, Lawyer Ari Goldkind, Comedians JJ Liberman, Ryan Hillis, Pat Thompson and Juliana Rodrigues.

EP636 - Isaiah Mustafa, Ryan Hillis, Pat Thompson, Juliana Rodrigues

PF: This is a piece called Pink, by Pat Thompson, an English lady, and I was living in Leeds and had shown very little interest in the visual arts in a career of teaching, and I was hurrying home and came upon this picture in an exhibition of works by WEA people, hierarchically arranged so the winners were all at one end, and the so-called ‘losers’ were at the other end.And there at the end of the line was this woman showing this one particular work, and I just fell in love with it immediately, and had to cancel my plans of returning; missed the bus; came back and engaged her in conversation.She couldn’t believe that anyone wanted to buy it, and kept pushing me – wanting me to go higher up in the line where all the ‘winners’ were. And I said ‘no, the others are extraordinarily bad, I think…’But this is a piece that has always hung in my home, and when I faced the bushfires in 1994, with a policeman knocking on the door saying I had ten minutes to get out of the house, I took three objects with me and Pink was the first thing into the car, so it does have that special affection, but also now I look back on it. There’s so much in it; in it’s apparent sort of madness; apparent randomness; in its colour; in its line, that it is so in tune I think, with a lot of the collection, so I’m sure the psychologists could go overboard in working out where the sickness set in.But it’s still a very affectionate piece, and the wonderful piece of conversation I had with the artist was when I enquired about it, because I tried to sort of make head nor tail of were these bodies in a bed, or were they standing – were they curtains or were they bedspreads – or whatever – wherever you went around the work you seemed to get a different reading.I said ‘Ohh, Pat, why didn’t you paint any hands or feet?’ – on these particular bodies, and she just said to me ‘The night that they did hands and feet I was sick.’I thought ‘Oh God, you weren’t feeling too good the night they did perspective, or whatever it might be, but it’s a work I’ve really grown very fond of’.

PF: This is a piece called Pink, by Pat Thompson, an English lady, and I was living in Leeds and had shown very little interest in the visual arts in a career of teaching, and I was hurrying home and came upon this picture in an exhibition of works by WEA people, hierarchically arranged so the winners were all at one end, and the so-called ‘losers’ were at the other end. And there at the end of the line was this woman showing this one particular work, and I just fell in love with it immediately, and had to cancel my plans of returning; missed the bus; came back and engaged her in conversation. She couldn’t believe that anyone wanted to buy it, and kept pushing me – wanting me to go higher up in the line where all the ‘winners’ were. And I said ‘no, the others are extraordinarily bad, I think…’ But this is a piece that has always hung in my home, and when I faced the bushfires in 1994, with a policeman knocking on the door saying I had ten minutes to get out of the house, I took three objects with me and Pink was the first thing into the car, so it does have that special affection, but also now I look back on it. There’s so much in it; in it’s apparent sort of madness; apparent randomness; in its colour; in its line, that it is so in tune I think, with a lot of the collection, so I’m sure the psychologists could go overboard in working out where the sickness set in. But it’s still a very affectionate piece, and the wonderful piece of conversation I had with the artist was when I enquired about it, because I tried to sort of make head nor tail of were these bodies in a bed, or were they standing – were they curtains or were they bedspreads – or whatever – wherever you went around the work you seemed to get a different reading. I said ‘Ohh, Pat, why didn’t you paint any hands or feet?’ – on these particular bodies, and she just said to me ‘The night that they did hands and feet I was sick.’ I thought ‘Oh God, you weren’t feeling too good the night they did perspective, or whatever it might be, but it’s a work I’ve really grown very fond of’.

Pat THOMPSON, Pink 1972