Helen Cammock's guest appearances

Helen Cammock

LA Review of Books

LARB Radio Hour

Private Passions

Only Artists

The Week in Art

Talk Art

role____

Bow Down: Women in Art

Common Decency

Grayson Perry

Rose Wylie

Olivia Laing

Lubaina Himid

Rachel Whiteread

Akram Khan

Zandra Rhodes

Rufus Wainwright

Nitin Sawhney

Tracey Emin

Robert Macfarlane

Katherine Parkinson

Edmund de Waal

Iain Sinclair

Sarah Hall

OwlTail

Kate Wolf is joined by the Turner prize-winning artist Helen Cammock to discuss her new book, and current exhibition at Art and Practice in Los Angeles, I Will Keep My Soul. Both are drawn from Cammock’s time in New Orleans—which she began to visit early last year—and address the city’s social history, geography, and community. Her book brings together poetry, film stills, photography, collage, and a number of archival documents from the Amistad Research Center. One of the focuses of Cammock’s research is the artist Elizabeth Cattlet, an active member of the Civils Rights Movement who taught in New Orleans early in her career in the 1940s before leaving the US for Mexico. Decades later, she received a commission to create a sculpture of Louis Armstrong in Congo Square, a historical meeting place for enslaved people in the city. Cattlet’s words and work are woven throughout the book, and evoke the rich accumulations of history that are ever present, and constantly presenting themselves, within a contemporary encounter of place.Also, Colm Toibin, author of A Guest at the Feast, returns to recommend Claire Keegan's Small Things Like These.

Kate Wolf is joined by the Turner prize-winning artist Helen Cammock to discuss her new book, and current exhibition at Art and Practice in Los Angeles, I Will Keep My Soul. Both are drawn from Cammock’s time in New Orleans—which she began to visit early last year—and address the city’s social history, geography, and community. Her book brings together poetry, film stills, photography, collage, and a number of archival documents from the Amistad Research Center. One of the focuses of Cammock’s research is the artist Elizabeth Cattlet, an active member of the Civils Rights Movement who taught in New Orleans early in her career in the 1940s before leaving the US for Mexico. Decades later, she received a commission to create a sculpture of Louis Armstrong in Congo Square, a historical meeting place for enslaved people in the city. Cattlet’s words and work are woven throughout the book, and evoke the rich accumulations of history that are ever present, and constantly presenting themselves, within a contemporary encounter of place. Also, Colm Toibin, author of A Guest at the Feast, returns to recommend Claire Keegan's Small Things Like These.

Helen Cammock's "I Will Keep My Soul"

Kate Wolf is joined by the Turner prize-winning artist Helen Cammock to discuss her new book, and current exhibition at Art and Practice in Los Angeles, I Will Keep My Soul. Both are drawn from Cammock’s time in New Orleans—which she began to visit early last year—and address the city’s social history, geography, and community. Her book brings together poetry, film stills, photography, collage, and a number of archival documents from the Amistad Research Center. One of the focuses of Cammock’s research is the artist Elizabeth Cattlet, an active member of the Civils Rights Movement who taught in New Orleans early in her career in the 1940s before leaving the US for Mexico. Decades later, she received a commission to create a sculpture of Louis Armstrong in Congo Square, a historical meeting place for enslaved people in the city. Cattlet’s words and work are woven throughout the book, and evoke the rich accumulations of history that are ever present, and constantly presenting themselves, within a contemporary encounter of place. Also, Colm Toibin, author of A Guest at the Feast, returns to recommend Claire Keegan's Small Things Like These.

Kate Wolf is joined by the Turner prize-winning artist Helen Cammock to discuss her new book, and current exhibition at Art and Practice in Los Angeles, I Will Keep My Soul. Both are drawn from Cammock’s time in New Orleans—which she began to visit early last year—and address the city’s social history, geography, and community. Her book brings together poetry, film stills, photography, collage, and a number of archival documents from the Amistad Research Center. One of the focuses of Cammock’s research is the artist Elizabeth Cattlet, an active member of the Civils Rights Movement who taught in New Orleans early in her career in the 1940s before leaving the US for Mexico. Decades later, she received a commission to create a sculpture of Louis Armstrong in Congo Square, a historical meeting place for enslaved people in the city. Cattlet’s words and work are woven throughout the book, and evoke the rich accumulations of history that are ever present, and constantly presenting themselves, within a contemporary encounter of place. Also, Colm Toibin, author of A Guest at the Feast, returns to recommend Claire Keegan's Small Things Like These.

Helen Cammock grew up wanting to be a singer, and performed on the folk circuit as a teenager. But then she stopped, and became a social worker for more than ten years. Finally, at the age of 35, she took up photography, went to art school – and she’s never looked back. She’s known now for her richly-layered video installations, which mix film archive, dance and poetry with current interviews, all woven together with music. She is the joint winner of the 2019 Turner Prize; for the first time in its 35-year history, the Prize was shared between all four artists on the shortlist, at their request. In Private Passions, she talks to Michael Berkeley about why music is at the heart of all her work. Last year the MaxMara art prize paid for her to spend six months working in Italy, and there she began to explore the subject of lament, and particularly laments sung by women. As part of her performance work, Helen Cammock began to take singing lessons again, and lament, loss, longing, and hopes for a better future, are all captured in the music she chooses. She shares the excitement of discovering little-known women composers of the 17th century Francesca Caccini and Barbara Strozzi. She talks about the troubling incident which persuaded her to give up a career in social work, when she was told to abandon a young woman outside a police station. She remembers the isolation and boredom of growing up in the countryside of Somerset, and the racist abuse her family faced every Saturday when they went shopping together.Music choices include Jessye Norman singing Purcell’s “Dido’s Lament”; Glenn Gould humming along to Bach; Nina Simone on the piano; and Shostakovich’s Cello Concerto. A Loftus production for BBC Radio 3Produced by Elizabeth Burke

Helen Cammock grew up wanting to be a singer, and performed on the folk circuit as a teenager. But then she stopped, and became a social worker for more than ten years. Finally, at the age of 35, she took up photography, went to art school – and she’s never looked back. She’s known now for her richly-layered video installations, which mix film archive, dance and poetry with current interviews, all woven together with music. She is the joint winner of the 2019 Turner Prize; for the first time in its 35-year history, the Prize was shared between all four artists on the shortlist, at their request. In Private Passions, she talks to Michael Berkeley about why music is at the heart of all her work. Last year the MaxMara art prize paid for her to spend six months working in Italy, and there she began to explore the subject of lament, and particularly laments sung by women. As part of her performance work, Helen Cammock began to take singing lessons again, and lament, loss, longing, and hopes for a better future, are all captured in the music she chooses. She shares the excitement of discovering little-known women composers of the 17th century Francesca Caccini and Barbara Strozzi. She talks about the troubling incident which persuaded her to give up a career in social work, when she was told to abandon a young woman outside a police station. She remembers the isolation and boredom of growing up in the countryside of Somerset, and the racist abuse her family faced every Saturday when they went shopping together. Music choices include Jessye Norman singing Purcell’s “Dido’s Lament”; Glenn Gould humming along to Bach; Nina Simone on the piano; and Shostakovich’s Cello Concerto. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

Talk Art Live in London! Russell &amp; Robert meet British artist Helen Cammock, nominated for the Turner Prize 2019 and winner of the 2018 Max Mara Arts Prize for Women. This special episode was recorded live in front of a sold-out audience at Art Assembly in Walthamstow, organised by Art Fund and the National Art Pass. Learn more at: www.artfund.org/talkartHelen Cammock works across film, photography, poetry, spoken word, song, printmaking and installation. We discuss 'The Long Note' (2018), her film that celebrates the involvement of women in the civil rights movement in Derry in 1968. Originally commissioned by Void Derry to coincide with the 50th anniversary of the first civil rights march in Derry, Northern Ireland.Cammock produces works stemming from a deeply involved research process that explore the complexities of social histories. Central to her practice is the voice: the uncovering of marginalised voices within history, the question of who speaks on behalf of whom and on what terms, as well as how her own voice reflects in different ways on the stories explored in her work. Cammock’s practice is characterised by fragmented, non-linear narratives. Her work makes leaps between different places, times and contexts, forcing viewers to acknowledge complex global relations and the inextricable connection between the individual and society.You can view Cammock's film 'The Long Note' and a room of screen prints as part of the Turner Prize exhibition at Turner Contemporary, Margate until January 12th 2020. Free entry! https://turnercontemporary.org/whats-on/turner-prize-2019/Recorded live on stage at the Mirth, Marvel &amp; Maud venue on Saturday 23rd November 2019, part of this awesome brand new one-day festival! Follow @ArtFund on Instagram and @TalkArt for images of all artworks discussed in this episode. Use #TalkArtPodcast and #ArtAssembly to tag us in your posts &amp; stories from the day and we'll share our favourites! Hosted on Acast. See acast.com/privacy for more information.

Talk Art Live in London! Russell &amp; Robert meet British artist Helen Cammock, nominated for the Turner Prize 2019 and winner of the 2018 Max Mara Arts Prize for Women. This special episode was recorded live in front of a sold-out audience at Art Assembly in Walthamstow, organised by Art Fund and the National Art Pass. Learn more at: <a href="http://www.artfund.org/talkart" rel="nofollow" target="_blank">www.artfund.org/talkart</a>Helen Cammock works across film, photography, poetry, spoken word, song, printmaking and installation. We discuss 'The Long Note' (2018), her film that celebrates the involvement of women in the civil rights movement in Derry in 1968. Originally commissioned by Void Derry to coincide with the 50th anniversary of the first civil rights march in Derry, Northern Ireland.Cammock produces works stemming from a deeply involved research process that explore the complexities of social histories. Central to her practice is the voice: the uncovering of marginalised voices within history, the question of who speaks on behalf of whom and on what terms, as well as how her own voice reflects in different ways on the stories explored in her work. Cammock’s practice is characterised by fragmented, non-linear narratives. Her work makes leaps between different places, times and contexts, forcing viewers to acknowledge complex global relations and the inextricable connection between the individual and society.You can view Cammock's film 'The Long Note' and a room of screen prints as part of the Turner Prize exhibition at Turner Contemporary, Margate until January 12th 2020. Free entry! <a href="https://turnercontemporary.org/whats-on/turner-prize-2019/" rel="noopener noreferrer nofollow" target="_blank">https://turnercontemporary.org/whats-on/turner-prize-2019/</a>Recorded live on stage at the Mirth, Marvel &amp; Maud venue on Saturday 23rd November 2019, part of this awesome brand new one-day festival! Follow <a href="https://www.instagram.com/artfund/" rel="noopener noreferrer nofollow" target="_blank">@ArtFund</a> on Instagram and <a href="https://www.instagram.com/TalkArt/" rel="noopener noreferrer nofollow" target="_blank">@TalkArt</a> for images of all artworks discussed in this episode. Use <a href="https://www.instagram.com/explore/tags/talkartpodcast/" rel="noopener noreferrer nofollow" target="_blank">#TalkArtPodcast</a> and <a href="https://www.instagram.com/explore/tags/artassembly/" rel="noopener noreferrer nofollow" target="_blank">#ArtAssembly</a> to tag us in your posts &amp; stories from the day and we'll share our favourites! Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Helen Cammock (Live in London)

Suhayla El Bushra

The artist Helen Cammock meets the dramatist Suhayla El-Bushra. Helen Cammock’s work explores social history through film, photography and performance. She won the Max Mara Prize last year and is nominated for this year’s Turner prize for her film The Long Note, which focuses on the role of women in the civil rights movement in Northern Ireland. Suhayla El-Bushra has written extensively for TV including episodes of Hollyoaks and Ackley Bridge. Her plays include  The Arabian Nights for the Royal Lyceum in Edinburgh, and she has also written for the National Theatre. She is currently adapting the novel The Long Song by Andrea Levy.Producer: Clare Walker

The artist Helen Cammock meets the dramatist Suhayla El-Bushra. Helen Cammock’s work explores social history through film, photography and performance. She won the Max Mara Prize last year and is nominated for this year’s Turner prize for her film The Long Note, which focuses on the role of women in the civil rights movement in Northern Ireland. Suhayla El-Bushra has written extensively for TV including episodes of Hollyoaks and Ackley Bridge. Her plays include The Arabian Nights for the Royal Lyceum in Edinburgh, and she has also written for the National Theatre. She is currently adapting the novel The Long Song by Andrea Levy. Producer: Clare Walker

Helen Cammock meets Suhayla El Bushra

The 2019 Turner Prize-shortlisted artist Helen Cammock reflects on her fascination with the inspiring 17th-century Italian painter Artemisia Gentileschi, who overcame tragic circumstances to become one of the most famous artists of her day.

The 2019 Turner Prize-shortlisted artist Helen Cammock reflects on her fascination with the inspiring 17th-century Italian painter Artemisia Gentileschi, who overcame tragic circumstances to become one of the most famous artists of her day.

Helen Cammock on Artemisia Gentileschi

We hear about how a painting of Cupid in one of Vermeer's greatest masterpieces, in Dresden, was long thought to have overpainted by the master himself, but was in fact covered by a later artist. It's now in the process of being revealed, as Vermeer intended. We also learn about the Prado's show where Vermeer appears alongside Velázquez and Rembrandt, among many others. And we talk to Helen Cammock about her Whitechapel show and her nomination for this year's Turner Prize. Hosted on Acast. See acast.com/privacy for more information.

We hear about how a painting of Cupid in one of Vermeer's greatest masterpieces, in Dresden, was long thought to have overpainted by the master himself, but was in fact covered by a later artist. It's now in the process of being revealed, as Vermeer intended. We also learn about the Prado's show where Vermeer appears alongside Velázquez and Rembrandt, among many others. And we talk to Helen Cammock about her Whitechapel show and her nomination for this year's Turner Prize. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Vermeer's hidden cupid, the Prado's Dutch-Spanish show, plus Helen Cammock

ROLE_ Episode #6 Helen Cammock by role_