R. S. Valentino's guest appearances

R. S. Valentino

New Books in Eastern European Studies

New Books in Literary Studies

New Books in Literature

New Books Network

Anthony Valerio

Arthur Koestler

Mykola Soroka

Serhiy Zhadan

Palgrave Macmillan

Phillipa Chong

Brian Greene

Volodymyr Vynnychenko

Kathryn Conrad

Ken Krimstein

W. W. Norton

Leslie M. Harris

Miljenko Jergović

Mark R. Andryczyk

Xochitl Gonzalez

OwlTail

Kin by Miljenko Jergović (Archipelago Books, 2021) is a family story that covers more than a century; it takes readers to various geographical places and introduces them to a kaleidoscope of historical perturbations. The narrator seems to sincerely try to tell a truthful story, but acknowledges from the very beginning that it would probably be impossible to provide only true facts. Thus, the reader has no other choice than to rely on the narrator’s sincerity and make their way through the labyrinthine narrative in which everything seems to have its own story: places, objects, names, food, houses, etc. Gradually, the novel turns into an attempt to provide evidence for everything that the narrator seems to know and remember: family members and friends, wars and conflicts, marriages and adulteries, devotion and betrayal, happiness and despondency. The novel chapters resemble vignettes which lure the reader into a magical world in which nothing can be lost. In this interview, Russell Scott Valentino, translator of the novel, shares his insights about the novel and the translation journey through Miljenko Jergović’s family saga.Nataliya Shpylova-Saeed is a PhD student in the Department of Slavic and East European Languages and Cultures. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

<a href="https://bookshop.org/a/12343/9781939810526" rel="nofollow" target="_blank">Kin</a> by Miljenko Jergović (Archipelago Books, 2021) is a family story that covers more than a century; it takes readers to various geographical places and introduces them to a kaleidoscope of historical perturbations. The narrator seems to sincerely try to tell a truthful story, but acknowledges from the very beginning that it would probably be impossible to provide only true facts. Thus, the reader has no other choice than to rely on the narrator’s sincerity and make their way through the labyrinthine narrative in which everything seems to have its own story: places, objects, names, food, houses, etc. Gradually, the novel turns into an attempt to provide evidence for everything that the narrator seems to know and remember: family members and friends, wars and conflicts, marriages and adulteries, devotion and betrayal, happiness and despondency. The novel chapters resemble vignettes which lure the reader into a magical world in which nothing can be lost. In this interview, Russell Scott Valentino, translator of the novel, shares his insights about the novel and the translation journey through Miljenko Jergović’s family saga.<a href="https://russian.indiana.edu/about/tutors/shpylova-saeed-nataliya.html" rel="nofollow" target="_blank">Nataliya Shpylova-Saeed</a> is a PhD student in the Department of Slavic and East European Languages and Cultures. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/new-books-network" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/new-books-network</a>

Miljenko Jergović, "Kin" (Translated by R. S. Valentino; Archipelago Books, 2021)

Kin by Miljenko Jergović (Archipelago Books, 2021) is a family story that covers more than a century; it takes readers to various geographical places and introduces them to a kaleidoscope of historical perturbations. The narrator seems to sincerely try to tell a truthful story, but acknowledges from the very beginning that it would probably be impossible to provide only true facts. Thus, the reader has no other choice than to rely on the narrator’s sincerity and make their way through the labyrinthine narrative in which everything seems to have its own story: places, objects, names, food, houses, etc. Gradually, the novel turns into an attempt to provide evidence for everything that the narrator seems to know and remember: family members and friends, wars and conflicts, marriages and adulteries, devotion and betrayal, happiness and despondency. The novel chapters resemble vignettes which lure the reader into a magical world in which nothing can be lost. In this interview, Russell Scott Valentino, translator of the novel, shares his insights about the novel and the translation journey through Miljenko Jergović’s family saga.Nataliya Shpylova-Saeed is a PhD student in the Department of Slavic and East European Languages and Cultures. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

<a href="https://bookshop.org/a/12343/9781939810526" rel="nofollow" target="_blank">Kin</a> by Miljenko Jergović (Archipelago Books, 2021) is a family story that covers more than a century; it takes readers to various geographical places and introduces them to a kaleidoscope of historical perturbations. The narrator seems to sincerely try to tell a truthful story, but acknowledges from the very beginning that it would probably be impossible to provide only true facts. Thus, the reader has no other choice than to rely on the narrator’s sincerity and make their way through the labyrinthine narrative in which everything seems to have its own story: places, objects, names, food, houses, etc. Gradually, the novel turns into an attempt to provide evidence for everything that the narrator seems to know and remember: family members and friends, wars and conflicts, marriages and adulteries, devotion and betrayal, happiness and despondency. The novel chapters resemble vignettes which lure the reader into a magical world in which nothing can be lost. In this interview, Russell Scott Valentino, translator of the novel, shares his insights about the novel and the translation journey through Miljenko Jergović’s family saga.<a href="https://russian.indiana.edu/about/tutors/shpylova-saeed-nataliya.html" rel="nofollow" target="_blank">Nataliya Shpylova-Saeed</a> is a PhD student in the Department of Slavic and East European Languages and Cultures. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/literary-studies" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/literary-studies</a>

Kin by Miljenko Jergović (Archipelago Books, 2021) is a family story that covers more than a century; it takes readers to various geographical places and introduces them to a kaleidoscope of historical perturbations. The narrator seems to sincerely try to tell a truthful story, but acknowledges from the very beginning that it would probably be impossible to provide only true facts. Thus, the reader has no other choice than to rely on the narrator’s sincerity and make their way through the labyrinthine narrative in which everything seems to have its own story: places, objects, names, food, houses, etc. Gradually, the novel turns into an attempt to provide evidence for everything that the narrator seems to know and remember: family members and friends, wars and conflicts, marriages and adulteries, devotion and betrayal, happiness and despondency. The novel chapters resemble vignettes which lure the reader into a magical world in which nothing can be lost. In this interview, Russell Scott Valentino, translator of the novel, shares his insights about the novel and the translation journey through Miljenko Jergović’s family saga.Nataliya Shpylova-Saeed is a PhD student in the Department of Slavic and East European Languages and Cultures. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

<a href="https://bookshop.org/a/12343/9781939810526" rel="nofollow" target="_blank">Kin</a> by Miljenko Jergović (Archipelago Books, 2021) is a family story that covers more than a century; it takes readers to various geographical places and introduces them to a kaleidoscope of historical perturbations. The narrator seems to sincerely try to tell a truthful story, but acknowledges from the very beginning that it would probably be impossible to provide only true facts. Thus, the reader has no other choice than to rely on the narrator’s sincerity and make their way through the labyrinthine narrative in which everything seems to have its own story: places, objects, names, food, houses, etc. Gradually, the novel turns into an attempt to provide evidence for everything that the narrator seems to know and remember: family members and friends, wars and conflicts, marriages and adulteries, devotion and betrayal, happiness and despondency. The novel chapters resemble vignettes which lure the reader into a magical world in which nothing can be lost. In this interview, Russell Scott Valentino, translator of the novel, shares his insights about the novel and the translation journey through Miljenko Jergović’s family saga.<a href="https://russian.indiana.edu/about/tutors/shpylova-saeed-nataliya.html" rel="nofollow" target="_blank">Nataliya Shpylova-Saeed</a> is a PhD student in the Department of Slavic and East European Languages and Cultures. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/eastern-european-studies" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/eastern-european-studies</a>