Eric Whipp's guest appearances

Eric Whipp

Warren Eagles' Color Tour Podcast

Waqas Qazi

Lawrence Sher

Cole Walliser

Dave Hughes

Sam Newton

Kevin Shaw

Ben Hess

Vincent Taylor

Justin Jones

Nikolai Waldman

Paul Hanrahan

Dario Bigi

Leo Otero

Marc Wielage

Bob Festa

Jake Weisler

OwlTail

@eric_whipp is a Senior Colorist @alteregopost who graded Mad Max: Fury Road and other countless Hollywood epic flix and commercials. We are going to deep dive into his color grading process and how he went about coloring arguably the most iconic LOOK of all time.

<a href="https://www.instagram.com/eric_whipp/" rel="nofollow" target="_blank">@eric_whipp</a> is a Senior Colorist <a href="https://www.instagram.com/alteregopost/" rel="nofollow" target="_blank">@alteregopost</a> who graded Mad Max: Fury Road and other countless Hollywood epic flix and commercials. We are going to deep dive into his color grading process and how he went about coloring arguably the most iconic LOOK of all time.

Interview with Mad Max Colorist, Eric Whipp

Color

Alter Ego is one of the premier post facilities in the world. Based in Toronto, Alter Ego was founded 10 years ago by Australian Colorists Eric Whipp and Wade Odlum. They specialise in colouring on Baselight but the facility has grown to add VFX and production to its roster. The guys balance colouring TVCs, managing over 50 staff, and still manage to grade blockbuster feature films… How do they do it?Topics discussed Can they switch off the management issues when in a big session? The boys discuss the move into using LG C7 monitors for both the colorist and the clients Having to finish both English and French versions of their commercials Eric graded ‘Max Max Fury Road’ and ‘Lego Movie 2’ – How is grading a big movie different to grading TVCs?

Alter Ego is one of the premier post facilities in the world. Based in Toronto, Alter Ego was founded 10 years ago by Australian Colorists Eric Whipp and Wade Odlum. They specialise in colouring on Baselight but the facility has grown to add VFX and production to its roster. The guys balance colouring TVCs, managing over 50 staff, and still manage to grade blockbuster feature films… How do they do it?Topics discussed<ul> <li>Can they switch off the management issues when in a big session?</li> <li>The boys discuss the move into using LG C7 monitors for both the colorist and the clients</li> <li>Having to finish both English and French versions of their commercials</li> <li>Eric graded ‘Max Max Fury Road’ and ‘Lego Movie 2’ – How is grading a big movie different to grading TVCs?</li></ul>

Color Tour Podcast Episode 8: Eric Whipp & Wade Odlum, Alter Ego Post in Toronto