Cheryl Tipp's guest appearances

Cheryl Tipp

British Library Podcasts

Conservation Sound

The Quiet Mark Podcast

The Animal Turn

Nick Dunn

Will Kymlicka

Peter Wilson

Jonathan Balcombe

Carl Safina

Jessica Smith

Richard Grove

Matthew Herbert

Marc Bekoff

Paul Gregory

Bernie Krause

Denise Herzing

Martyn Ware

Richard King

Yoko Sen

OwlTail

In this episode Claudia talks to Cheryl Tipp about sound archives, how they are managed and the ways in which animal studies scholars might use them in trying to research animals. Together they think about why some sounds are included in national archives more than others as well as how recordings of nature and animal voices are valued. Date Recorded: 1 December 2021 Cheryl Tipp is the British Library’s Curator of Wildlife &amp; Environmental Sounds. With a background in zoology and library services, Cheryl has spent the past 16 years looking after the Library’s world-renowned collection of 300,000 species and habitat recordings. She has worked extensively on projects that encourage the creative reuse of archival content, from student videogames to short films from emerging filmmakers, and has written widely on the history of wildlife sound recording. Connect with Cheryl on Twitter (@CherylTipp). Featured: Environment and Sound Archiveat the British Library; Grey Wolfby Tom Cosburn; Haddock by A.D. Hawkins;  Animal Language: How Animals Communicate by Julian Huxley, The Sound and Vision Blog, The Zooniverse Project; Wildlife Sound Recording Society; Seaspiracy; What a Fish Knows by Jonathan Balcombe; Recording of the Ivory Bill Woodpecker by Arthur Allen;  The Animal Turn is part of the  iROAR, an Animals Podcasting Network and can also be found on A.P.P.L.E, Twitter, and InstagramA.P.P.L.E Animals in Philosophy, Politics, Law and Ethics (A.P.P.L.E)Sonic Arts Studio The Queen’s Sonic Arts Studio (formerly Electroacoustic Music Studio) was founded in 1970 by David KSonic Arts of Place Laboratory (SAPLab) The SAP Lab provides workspace, recording equipment, computer software/hardware and a listening statDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showThe Animal Turn is hosted and produced by Claudia Hirtenfelder and is part of  iROAR Network. Find out more on our website. 

In this episode Claudia talks to Cheryl Tipp about sound archives, how they are managed and the ways in which animal studies scholars might use them in trying to research animals. Together they think about why some sounds are included in national archives more than others as well as how recordings of nature and animal voices are valued.  Date Recorded: 1 December 2021 Cheryl Tipp is the British Library’s Curator of <a href="https://www.bl.uk/collection-guides/wildlife-and-environmental-sounds." rel="nofollow" target="_blank">Wildlife &amp; Environmental Sounds.</a> With a background in zoology and library services, Cheryl has spent the past 16 years looking after the Library’s world-renowned collection of 300,000 species and habitat recordings. She has worked extensively on projects that encourage the creative reuse of archival content, from student videogames to short films from emerging filmmakers, and has written widely on the history of wildlife sound recording. Connect with Cheryl on Twitter (@CherylTipp).  Featured: <a href="https://sounds.bl.uk/environment" rel="nofollow" target="_blank">Environment and Sound Archive</a>at the British Library; <a href="https://sounds.bl.uk/Environment/Listen-to-Nature/022M-LISTNAT00047-0001V0" rel="nofollow" target="_blank">Grey Wolf</a>by Tom Cosburn; <a href="https://sounds.bl.uk/Environment/Listen-to-Nature/022M-LISTNAT00110-0001V0" rel="nofollow" target="_blank">Haddock</a> by A.D. Hawkins; <a href="https://www.amazon.com/Animal-Language-How-animals-Communicate/dp/B000HQANNG" rel="nofollow" target="_blank">Animal Language: How Animals Communicate</a> by Julian Huxley, <a href="https://blogs.bl.uk/sound-and-vision/" rel="nofollow" target="_blank">The Sound and Vision Blog</a>, <a href="https://www.zooniverse.org/" rel="nofollow" target="_blank">The Zooniverse Project</a>; <a href="https://www.wildlife-sound.org/" rel="nofollow" target="_blank">Wildlife Sound Recording Society</a>; <a href="https://www.seaspiracy.org/" rel="nofollow" target="_blank">Seaspiracy</a>; <a href="https://jonathan-balcombe.com/what-a-fish-knows/" rel="nofollow" target="_blank">What a Fish Knows</a> by Jonathan Balcombe; <a href="https://macaulaylibrary.org/asset/6784?_gl=1*mt615a*_ga*NDgyNzM3MTUzLjE2MjA5MTk1ODM.*_ga_QR4NVXZ8BM*MTY0MTU2OTcwMC4yMy4xLjE2NDE1Njk4MDIuMzY.&amp;fbclid=IwAR0hyPZ9MQNIK4bHaDUF1k3IBFxhhv6Wgk9VLj9V8Nr4sXBWEIcB-T4m5Q4#_ga=2.222591003.1058249190.1641554113-482737153.1620919583&amp;_gac=1.216777188.1637781025.CjwKCAiA4veMBhAMEiwAU4XRr9b6veGiX1o26qxaHtkc_ua79tevdd8WNzm3ZeEYLBl3O3duYTPkvBoCWMEQAvD_BwE" rel="nofollow" target="_blank">Recording of the Ivory Bill Woodpecker</a> by Arthur Allen;  The Animal Turn is part of the <a href="https://iroarpod.com/join/" rel="nofollow" target="_blank"> iROAR</a>, an Animals Podcasting Network and can also be found on <a href="https://animalpolitics.queensu.ca/" rel="nofollow" target="_blank">A.P.P.L.E</a>, <a href="https://twitter.com/TheAnimalTurn" rel="nofollow" target="_blank">Twitter</a>, and <a href="https://www.instagram.com/theanimalturn/" rel="nofollow" target="_blank">Instagram</a><a href="https://animalpolitics.queensu.ca/" rel="nofollow" target="_blank">A.P.P.L.E</a> Animals in Philosophy, Politics, Law and Ethics (A.P.P.L.E) <a href="https://sdm.queensu.ca/our-facilities/sonic-arts-studio1/" rel="nofollow" target="_blank">Sonic Arts Studio</a> The Queen’s Sonic Arts Studio (formerly Electroacoustic Music Studio) was founded in 1970 by David K <a href="https://www.queensu.ca/geographyandplanning/saplab/facilities" rel="nofollow" target="_blank">Sonic Arts of Place Laboratory (SAPLab)</a> The SAP Lab provides workspace, recording equipment, computer software/hardware and a listening stat Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you. <a href="https://www.buzzsprout.com/1246910/support" rel="payment nofollow" target="_blank">Support the show</a>The Animal Turn is hosted and produced by Claudia Hirtenfelder and is part of <a href="https://iroarpod.com/join/" rel="nofollow" target="_blank"> iROAR</a> Network. Find out more on <a href="https://www.theanimalturnpodcast.com/" rel="nofollow" target="_blank">our website.</a>

S4E4: Sound Archives with Cheryl Tipp

10 yrs from now, what sound will transport you straight back to 2020? Clapping Our NHS Heroes? Louder birdsong during lockdown? In this episode, we explore the first-ever Sound of the Year Awards with Matthew Herbert and Cheryl Tipp. We also look at the huge increase in natural soundscape stream that has occurred during lockdown and discuss the art of field recording. The inaugural Sound of the Year Awards 2020 is a newly launched celebration of everyday sound (not music) in all its forms presented by The Museum Of Sound in partnership with The New BBC Radiophonic Workshop and others. The awards aim to highlight the rapidly-growing international community of sound professionals and enthusiasts. During lockdown there has been a chance to hear the world differently, cities, in particular, have been transformed as they’ve emptied. Sound, listening and a healthy sonic environment are becoming recognised as a vital part of our daily lives. Where there are many awards shows for everything associated with moving images, the time seems right to acknowledge and support those working hard to build and share their knowledge and recordings of moving audio in this new age of sound.  Matthew Herbert - BBC New Radiophonic Workshop &amp; Cheryl Tipp - Curator of Wildlife &amp; Environmental Sounds - British Museum are both Judges at The Sound of the Year Awards. Our host, Simon Gosling, finds out what all the noise is about! In addition, he asks Cheryl Tipp to share the ins and outs of her role looking after the 250K recorded sounds archive at The British Library and what being a Curator of Natural Sounds at The British Library entails.

10 yrs from now, what sound will transport you straight back to 2020? Clapping Our NHS Heroes? Louder birdsong during lockdown?   In this episode, we explore the first-ever Sound of the Year Awards with Matthew Herbert and Cheryl Tipp. We also look at the huge increase in natural soundscape stream that has occurred during lockdown and discuss the art of field recording.   The inaugural Sound of the Year Awards 2020 is a newly launched celebration of everyday sound (not music) in all its forms presented by The Museum Of Sound in partnership with The New BBC Radiophonic Workshop and others.   The awards aim to highlight the rapidly-growing international community of sound professionals and enthusiasts. During lockdown there has been a chance to hear the world differently, cities, in particular, have been transformed as they’ve emptied. Sound, listening and a healthy sonic environment are becoming recognised as a vital part of our daily lives.   Where there are many awards shows for everything associated with moving images, the time seems right to acknowledge and support those working hard to build and share their knowledge and recordings of moving audio in this new age of sound.    Matthew Herbert - BBC New Radiophonic Workshop &amp; Cheryl Tipp - Curator of Wildlife &amp; Environmental Sounds - British Museum are both Judges at The Sound of the Year Awards. Our host, <a href="https://www.linkedin.com/in/simongosling/" rel="nofollow" target="_blank">Simon Gosling</a>, finds out what all the noise is about!   In addition, he asks Cheryl Tipp to share the ins and outs of her role looking after the 250K recorded sounds archive at The British Library and what being a Curator of Natural Sounds at The British Library entails.

Episode 16: SOUND OF THE YEAR AWARDS - Matthew Herbert - BBC New Radiophonic Workshop & Cheryl Tipp - Curator of Wildlife & Environmental Sounds - British Museum

Cheryl Tipp is Curator of Wildlife and Environmental Sounds at the British Library. She talks about the conservation applications of sound, and the availability of sounds in the archive. This is Episode C of Conservation Sound. The natural history sounds are from the British Wildlife Recordings playlist, used under Creative Commons with attribution: soundcloud.com/the-british-library/sets/british-wildlife-recordings A recent blogpost by Cheryl about the audio being made available as Creative Commons. http://britishlibrary.typepad.co.uk/sound-and-vision/2015/04/british-wildlife-recordings-on-the-move.html

Cheryl Tipp is Curator of Wildlife and Environmental Sounds at the British Library. She talks about the conservation applications of sound, and the availability of sounds in the archive. This is Episode C of Conservation Sound. The natural history sounds are from the British Wildlife Recordings playlist, used under Creative Commons with attribution: <a href="http://soundcloud.com/the-british-library/sets/british-wildlife-recordings" rel="nofollow" target="_blank">soundcloud.com/the-british-library/sets/british-wildlife-recordings</a> A recent blogpost by Cheryl about the audio being made available as Creative Commons. <a href="http://britishlibrary.typepad.co.uk/sound-and-vision/2015/04/british-wildlife-recordings-on-the-move.html" rel="nofollow" target="_blank">http://britishlibrary.typepad.co.uk/sound-and-vision/2015/04/british-wildlife-recordings-on-the-move.html</a>

C: Cheryl Tipp, Wildlife and Environmental Sounds Curator at the British Library